@Hoss We'll see, I guess. There's a whole reaction industry that would be nuked if the court rules in his favor. The text of the suit asks good questions though.
@Hoss I didn't watch much but these are copyright claims and the people being sued will claim fair use. Sargon of Akkad won a fair use case where he'd just clipped and titled someone else's content. I think reaction videos are probably safe.
@Flick@professortom The parents are definitely not looking out for the wellbeing of their children. That's prima faecie abuse when it extends back to childhood, irrespective of physical abuse. The popularity of onlyfans among women makes me hope that it's not a case of abuse in all cases. That would be a lot of abuse.
@charlie_root@3T@BasedLunatic@dcc@urbancamper_55@Doll@Frank@Sui@p@nyanide@SK1ZM@ned A lot of people think that the reason to buy a new synth is the filter section. When you add your own filters you're effectively creating a new synth. Current just has all the normal synth stuff plus the effects you have/want. Personally, I have too many synths and I don't know them as well as I could if I just owned one and learned it's edges.
@Humpleupagus@charlie_root@ned Most mastering engineers play with the mid side balance. When you're mastering you often don't have access to the stems. You're right though a perfect mix wouldn't need that.
@charlie_root@Humpleupagus@ned mid/side on an individual instrument can be used as an effect but with mastering what you're looking for is optimizing the stereo field. Track I'm mixing right now, I knocked the mid out completely on one track.
@Humpleupagus@charlie_root@ned Phase is really important the lower you go. It doesn't really cause problems most of the time above 500 Hz. That's why so many EDM producers just duck the bass around the kick or at least filter out the lows in the bass (though that's a phase issue in itself). Oscilloscopes are so useful for understanding that. You can just alter the phase of things by putting an allpass at the frequency causing problems.
@Humpleupagus@charlie_root It's a combination of saturation, mid/side manipulation, and a limiter. I't likely got a variable EQ to shape around the limiter and probably a clipper as well. At least that's what it's designed to take the place of. It's just aimed at making mastering loud easy without distortion being too noticeable. If you can clip each track and saturate, eq and limit on the master yourself, you don't need it. I tested it out and it's was pretty good on the tracks I tried.
@charlie_root@Humpleupagus@ned@butterdog Everything has a lifetime. Plugins are addictive. Once you discover that Shaperbox allows you to play sections backwards or skip around, you'll be writing rhythms in shaperbox. It's possible the best value plugin I have.
@charlie_root@Humpleupagus@ned@butterdog Some people use it as an oscilloscope. There's so much in there. It's not just an LFOTool. You can take the most static line and add lots of movement. Anyway, it's late/early I need to sleep. Have fun.