@thomasfuchs Out of curiosity, how many people you tell "I am unfollowing you because of generative 'AI' images" claim it is a false positive? If some, how many of those do you believe?
@thomasfuchs I think for me the main issues are environmental destruction, and what for want of better terms I will call plagiarism. I'm not interested in "per-inference" costs as long as enormous, energy and water hungry data centers are being built or proposed. Even solar and wind power (although vastly superior to fossil fuels and nuclear power in this sense) have significant impact at scale. I'm also skeptical about "local models will save us" on several grounds, unless the modestly powered machine ingests only data whose creators specifically consent to that use. Yes, it's impractical, but I thought we on fedi already had the "consent is impractical" discussion a few times. Finally (and you did invite unstructured!), I don't want to directly or indirectly support the businesses of some of the worst people on the planet. Every hour I spend reviewing AI generated PRs makes these services a little more useful. I'm not ashamed to say that I just want to the AI bubble to pop as goal, not as an means to some other thing. We didn't boycott South African wine because it tasted bad, but because it enriched terrible people.
P.S. This post is not an invitation to "Change my mind", but a response to a request for thoughts about AI. Reply guys will be blocked.
@cwebber It's like, when you go outside and the sun beams messages straight into your brain. Except there is only one sun and it is owned by corporations, just like in the real world.
@ami_angelwings ooh, in that case ART from murderbot for A. It stands for Asshole Research Transport and it is a cantankerous AI that becomes almost as interested in media (hence.in art, geddit?) as murderbot.
@kermode I was thinking about our escalator discussion yesterday in Osaka. I said to myself, why the heck are we all standing on the right of the escalator. Then realized "Oh right, Osaka". Took the 45 min commuter train to Kyoto and followed the crowd on the left out of the station. So it isn't even Kansai verso Kanto (roughly, East versus West) but some split within Kansai. I'm not sure I have the patience to find the left-right border between Kyoto and Osaka.
It is slightly interesting to think about why this doesn't work as well for me in monochrome. There is a ton of contrast here, but not much between the rock and the slug. Also the composition is very documentary: I found a cool thing and tried to fit it into the frame. Anyway, in the spirit of #MonochromeMarch here is a posterized version from #darktable