Second, it perpetuates what I think of as the original sin of US co-op policy: creating tools for specific sectors/industries/stakeholders rather than generalized tools.
This is why you can finance rural electric co-ops but not urban ones, for instance. It's dumb.
I hope that we can build policy strategies that don't treat artists as special snowflakes (eg art.coop's work, or smart.coop) and that seeks to build on artist experience for a broader solidarity economy.
I'm sorry to say it, but I am very skeptical of the Artist Corporation model that @Metalabel is trying to advance in Colorado. https://blog.metalabel.com/the-beginning/
First, in Colorado we are already working on a similar hybrid model: the social cooperative. It is a global movement that we want to join. This effort is being led by groups with deep community investment. https://www.rmeoc.org/programs/social-cooperative/
@scroeser I think of gaming as using the rules of a system to violate its spirit.
A chronological feed is supposed to be calmer and more grounded, but it isn't if someone posts a ton and fills it up. In this context, that's a form of attention-hacking akin to, say, SEO in a search engine context.
Someone just pointed out to me something very true to my experience—that the chrono timeline is easily gamed by frequent posters. Is there any fix for that, other than just unfollowing?
@pluralistic Could you say more about your editing workflow? I've been plotting something similar.
You talk about Ollama as an LLM, but it is just a server for running LLMs. I'm curious about which model(s) you've been using and how you set the context window and input for longer articles or books. Do you chunk the content first?
Teaching and writing media studies at CU Boulder. Helping to build a cooperative fediverse with Social.coop. Fan of democratic experiences and divine mysteries. Co-leading e2c.how, metagov.org, start.coop, wagingnonviolence.org.