Three of my seven costumes for L’incoronazione di Poppea, designed by the fabulously talented Alfred Mayerhofer! Unfortunately, I failed to show the black Ottavia dress, because I absolutely just had to listen to Pur ti miro on the monitors!
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It’s the supercallousfascistracistsexistnazipotus Even just the sound of it is something quite atrocious If you say it loud enough, you’ll always sound precocious Supercallousfascistracistsexistnazipotus
@Mastodon@imanijoy I can’t see profiles on the desktop anymore, I get “Network error There was an error when trying to load this page. This could be due to a temporary problem with your internet connection or this server.” It works on my phone.
Gretel: Ofeliya Pogosyan Hänsel: Lena Sutor-Wernich Vater: Johannes Martin Kränzle Mutter: Solgerd Isalv Hexe: Megan Marie Hart Sandmännchen/ Taumännchen: Aki Hashimoto
Staatsorchester Darmstadt Conductor: Alessandro Palumbo Director: Nicola Raab Stage & Video design: Danila Travin Costumes: Lisa Moro Dramaturg: Stefan Czura
(Nobody actually asked why, but I imagine someone must have thought it.) Curiosity is one reason, the other is a recent offline discussion about whether we are hindering a more wide spread adoption of the Fediverse because we dislike advertisements. It’s possible that brands and “influencer”-type people aren’t getting the kick they’re used to from the Fediverse because there are no metrics showing how many people have seen a post. Perhaps it’s different with your own instance – I don’t know! 2/7
I feel like I get more meaningful interaction (and perhaps even ticket sales!) from a Mastodon post about an upcoming show than from posts on other social media platforms. But a “feeling” dosen’t help when trying to convince people to join. Or to get active. My current theater @staatstheaterdarmstadt is on here since 2022 – zero posts! I would like them to get active or even set up their own instance. I think every theater should have its own instance! It can’t be more work than FB and IG. 5/7
… and opera is primarily a live art form, so its market share is so small as to be essentially unmeasurable. I never bothered to find out how many people I reach vs how many interactions a post gets. I really couldn’t care less!) Brands and “Influencer”-minded people, even people just used to commercial socials testing the fediverse might feel like it is not working for them and leave again, so I was wondering about the *potential* reach of a toot. 4/7
For the sake of argument, let’s assume that people would want to test the waters by creating an account on an established instance before committing to setting up their own, even if they have the necessary knowledge and funds. I think people have become accustomed to the insane numbers on commercial social media: millions of views, thousands of likes and hundreds of comments. (I have never been part of this; my profession is too niche. Classical music accounts for just 2–5% of music sales, 3/7