Make future book historians happy: annotate your books, write into books, use them, scribble, draw, make witty or unreadable comments. #bookhistory#bookstodon#books
When everyone else was gone, the very last user of #Twitter (see image below) protocolled carefully his last words into the platform's logbook: Debate me, you losers!
This might have been the moment when the recent TikTok trend "crying while reading" started, around 1800 in Germany, when this young man started crying reading a letter and a befriended copperplate engraver was nearby and took advantage of the moment ... #histodons#bookstodon
When you are a famous author, but your last name sounds like “pig”, well, see for yourself.
The drawn pig on the binding was made by the book owner, Konrad Peutinger, as a reminder that this book is from the author whose last name - Porchus - sounds like pig (“porcus”). #histodons#bookhistory
There is a paper story in this painting from 1672: welcome to the shortest thread for #paperhistory in one post only (plus much more details in the alt-text)
1 - a paper letter (being moved) 2 - used paper sheets (messy) 3 - a document bag! (fun) 4 - stored paper sheets (waiting) 5 - waste paper (lying around)
Were book shops of Europe's past really full of books? Well, here is an #earlymodern bookseller from #Dresden, Germany, in front of his boxes. Yes, boxes, not books.
In these boxes unfolded printed sheets (of a certain publication) were stored. This is what you would have seen, next to small amounts of bound books and small publications, in a typical early modern book shop. So #bookhistory is sometimes a history of boxes too.
In 1974, the artist Dieter Roth experimented with the materiality of books - and made, among other "literature sausages", Hegel's complete work to 20 sausages using traditional sausage recipes, replacing the sausage's meat with book paper.
What's the biggest Festschrift you know of? I have seen a 1500 pages volume, a 2 volumes package, and even a serial of Festschriften. Thanks for sharing, #academicchatter#academia
Das geöffnete Teutschland / Worinnen vermittelst einer zierlichen und wohlgefasten Reise-Carte für das nun teurere #Deutschlandticket/ die gewöhnlichsten Post-Wege und Meilen gezeiget / Denen Reisenden/ und curieusen Liebhabern/ zu Nutz und bequemligkeit/ ans Licht gestellet
And this happens when fingers that were used to hold down a book's page to be scanned were captured, and a software "repairs" this space automatically afterwards. In short: the scanned image is corrected by filling the problematic space with new content. In this case, this filling didn't fit too well: you see a "en=" text part from a different print, and some very bad pixel space. Welcome to the complex digital narrative of old printed books.
Is it a ghost? Is it a cloud? No, it is just a weird space created by a finger image removal technology trying to autocorrect the finger of the scanning person.
And another weird space created by a finger image removal technology trying to autocorrect the finger of the scanning person. The inserted sample clearly does not fit in here (or anywhere else in this print, to be honest).
That's a kind of data corruption, if you ask me. Automatic repair systems do corrupt our digital heritage.
And here the ghost aka cloud is slowly taking over the page.
Welcome to yet another example of how automatic repair systems - to be precise: finger image removal technology trying to autocorrect the finger of the scanning person - do crush our digital heritage.
Historian currently at Universität Augsburg | #BookHistory #PaperHistory #DigitalHistory #MediaHistory #UrbanHistory #NewsHistory #DigitalPublicHistory and more | Co-editor "Jahrbuch für #Kommunikationsgeschichte" (JbKG) | Vertrauensdozent @boeckler_de | Alumnus FU + HU Berlin + Gerda Henkel Stiftung | born at 338 ppm | Team #histodons here and #skystorians activity at Bluesky | Once gave a lecture on a train | I do enjoy my work.