> Last year, when Heritage Foundation declared its desireto use KOSA to censor LGBTQ content and announced it would leverage the bill to remove pro-abortion content if Trump won, perhaps some could dismiss it as empty rhetoric. But now? The Trump administration is systematically implementing every element of Heritage’s Project 2025 censorship playbook. There’s no more room for wishful thinking about how KOSA might be used.
"The possibility of a TikTok return will now lie with Trump, who has promised to broker a deal to save the app and is considering granting it a 90-day extension."
"Such artists often had millions of streams on Spotify and pride of place on the company’s own mood-themed playlists, which were compiled by a team of in-house curators. And they often had Spotify’s verified-artist badge. But they were clearly fake. Their “labels” were frequently listed as stock-music companies like Epidemic, and their profiles included generic, possibly ... https://micro.fromjason.xyz/2024/12/25/the-ghosts-in-the-machine.html
All this political theater is making Luigi Mangione look cool as hell, I fear. (The optics aren’t doing anything to help the idea that we have an overly militarized police problem either.)
Last Week in Fediverse – ep 86 – The Fediverse Report:
"A 15 minute delay is a long time in microblogging, and significantly impacts things like breaking news, and live-posting sports events. It also meaningfully impacts the ability to have a back-and-forth conversation with people in a comment section."
The way this Tech Crunch article is phrased, you'd might walk away thinking that the Ford Foundation's "large grant" made up a lion's share of the #SocialWebFoundation's financial support.
But only $50k of the One Million Dollars in funding for the #SWF came from The Ford Foundation, back in February of this year.
There’s a specific flavor of aggression that comes from non-conservative, predominately white digital spaces. I think it draws from insecurity, almost like a projection.
#Twitter had it, to an extent, in the 2010s. As liberal-leaning as the hell-site was, there was always an unsettling presence of anti-Blackness. It was never overt, at least in the more liberal corners.
It was more like the persistent humming of an air conditioner— easy to tune out, but if you listened you could hear it.
More than even the threat of #Meta, if the #Fediverse does not address its anti-Blackness in the general populace, it will rot the community from the inside out.
You can hate me for mentioning it if you want, but you know it's true. Deep down, you can feel it, too. Sometimes, we’re afraid to admit a problem we don't immediately know how to fix.
And that's fine—it's human. But history is clear about what happens if we don't figure this out.
And Twitter? Well, we all know what happened there, right? White supremacy found a crack and exploited it.
Because its never, ever, enough to simply call out cartoonish forms of racism. It’s the insidious kind that always gets us.
It thrives in environments where we falsing believe that our political ideologies exempt us from rasicm. It scans the corners of the web that willfulling ignore the absence of certain people.
The #Fediverse is not exempt. In fact, those cracks are well established.
And when white supremacy finds a sufficiently sized crack, which is never as big as we’d think, it pushes through until that crack is a gaping chasm of rushing water.
History confirms this narrative— Punks, wellness, cottagecore, furries—all well-meaning, predominantly white spaces that didn’t deal with the hums of anti-Blackness until it was too late.
They chose to get defensive instead of introspective.
It's this festering insecurity that makes communities vulnerable to infiltration of the more caricaturized form of racism. 
Explicit expressions of white supremacy are often forced to live in the margins of polite society. So, it must hide in coded language and micro-aggressions.
But that's not where WS wants to be. It wants to live in the sunlight, out in the open for all to see. So, WS is constantly scanning for cracks in societal norms.
I write about the world wide web, and the Internet, and cyberspace, too. I curate the web as well, also. I like scones, weekender bags, and naps after breakfast. I'm always ready to leave. Advocate of the French Goodbye. He/Him #IndieWriter #SmallWeb #Tech #Design #Social.