@judgedread @p The element of the slasher stalking teenagers in the suburbs is precisely what made the Halloween, Friday the 13th, Nightmare on Elm Street, etc franchises so successful in the 1980s. The suburbs represented safety and sanctuary and, while not explicitly expressed, racial homogeneity. The suburbs were where white America resettled after the judeo-nigger apocalypse in American cities in the 1960s. The idea of that safe white haven being invaded by a predator was the dynamic that simulated real fear in audiences, albeit on an unconscious level. Freddy Krueger, Michael Meyers, Jason Voorhees, even the shark from Jaws, were all essentially proxies for the nigger boogeyman that lurked in the dark on the other side of every American 8 mile road.

Horror franchises all fail miserably nowadays because there no longer exists a finite border between nigger city and white suburb. Niggers forced into every white neighborhood and every white street in America at gunpoint by the kike-occupied government and white self-defense against nigger predation is a federal crime. Horror movies are dead because there is no fear that Freddy Krueger could elicit in white audiences that is greater than the horror of having to live cheek and jowl with invasive niggers will very well chimpout and rape and murder without warning.