Folks, I watched “Asura” (or “Ashura no gotoku”) and it really was as absorbing as the hype says. Come for the pre-Bubble asymmetrical sweaters and brown interiors, stay for the actual actors being allowed to act instead of mugging for the camera like the anime characters that originated their roles. I haven’t seen any previous versions but I also enjoyed playing the mental game of “Did Kore-eda change this to make the sisters less react-to-men-ish, or did Mukoda write it this way?”
@nosword I think he sees a lot of potential in streaming and sees it as a positive force - he explains his thoughts in this short video (when his collaboration with Netflix was first announced): https://youtu.be/jco9kEzBwzw?si=GNnMQe7Jd3dQbYoJ
Interestingly the initial announcement mentions a TV series and a film (the series being The Makanai), but not sure what happened to the film, or if that ended up turning into Asura...
@mario I’m also burning with curiosity about the meta elements. How do we square Netflix giving a respected but non-blockbuster-making auteur infinite money to make a miniseries with that article on n+1 about how they only want to make the minimum viable pap? Does he see it as a deal with the devil or a fruitful new way to make and distribute moving images? Was there pressure to choose a theme song with English lyrics, to ease the series’s entry into o/s markets? etc. etc.
@mario I did read it! It answered a lot of my questions. I was surprised given Kore-eda’s script credit that so much of the dialogue was apparently unchanged , albeit reframed by non-dialogue elements. Definitely made me want to watch the original (but not the movie, haha)