@charlie_root@Humpleupagus If it was anyone other than UA I probably wouldn't bother. Got plenty of channel strips. But none I'm 100% happy with. Hopefully this will be the one.
It can be for certain types of instruments, layered guitars (it akin to tape saturation), if you want clean and tidy, waves makes a few different strips, each with their own nuances.
I have the SSD5 drums free version and its badass, I'm learning to model drums using vital and serum but real samples are nice too especially for recreating jungle breaks with a more natural drum feel.
One of the best synth programs out there was absynth. You can model just about any sound if you're patient. I once did a heart beat that will literally fuck with your actual heart. I'm not kidding. Its probably considered a sonic weapon in some states. Unfortunately, Native Instruments discontinued it, and I'm afraid to upgrade to windows 11, because I heard it's not compatible.
Mastering is a dark art. No one really knows how it's done, and everyone has a theory. The way I see it, it's 90% layering equalizers and brick wall limiters.
It sounds good! Was worth the inconvenience of installing the UA software and ilok. I will probably use it for mastering whenever I can nail down a good mastering chain workflow (I'm still a noob). Definitely good on drums, and I've heard in the reviews vocals and instruments too. I do EDM so drums are more of my focus. 2024-09-18 05_45_34-Untitled_ - Buzz x64 - [Machines].png
Yeah now a days wavetable synthesis is big and I'm sure vital or serum can do what absynth does in the right hands. There is also Surge XT which may be even more powerful than both of them but is super nerdy and complicated to learn lol.
I don't do a whole lot of synth crafting. I do own Komplete 14 collectors edition, which has massive x, as well as some others. 15 is out now. I might upgrade again at 16 or 17, but NI really hasn't added shit worth it in years.
I did find a program that can convert the machine kits to ableton drum kits, which was really awesome. Saves a ton of overhead. Battery (which effectively uses the same kits) is a hog.
Yeah, apparently some youtubers say I need to get special headphones and "train" my ears to do proper mastering, but from what I understand its just sidechaining the lowend and mids, and fighting the war with loudness and clarity. Just like lifting in the gym everyone has different methods but results are results.
How you set it up depends on the daw. Some recognize it as an effect, others, an instrument. If it's he latter, you have to use a send from blue arp to the ultimate instrument or set the ultimate instruments input to bluearps output. I had problems automating the vst3, so I just use the vst2.
I just got their "Komplete Kontrol" shit and the free Kontact player, I don't see their software as worth it for what Im doing. If anything I should be using either Fruity Loops or Presonus Studio One but I just enjoy Buzz and Renoise too much. Plus both want me to either pay a big license fee and or rent the software for $19 a month. At least Renoise is only $75 for a full loicense.
I really need to get back in the studio. It's been over a month. I was in nearly every night a few months back, and I was going to get in there a few solid days a few weeks back, but I got a sinus infection that hit me hard af and gave me a black eye, literally. I slept for days.
And now, after years, I'm finally getting back to pre-covid levels of work, which is good and bad. I'm making more money, but don't have as much free time.
Ah man, DAW fatigue, I haven't even started breaking into Renoise yet lol. Maybe if this one gets more mature in development I might consider it. Glad to see they finally hit 1.0.0.rc1
I was thinking about usage on Windows. Using a DAW on Linux kind of seems silly to me at this point since the Linux software stack is ran by retarded devs that hate stability and standards. You might get a setup that barely works in Linux and have an unusable mess months later. Totally the opposite of what I and others are trying to do. This could work for a glacier style setup running older debian or something,
Midi mapping to a controller is virtually automated in most DAWs. Most have a "midi learn" function that can easily associate a knob, button, or slider in the daw with a knob, button, or slider on a controller (a piano key is a button btw, and regular midi keyboard can be used as controllers) just by pressing, turning, or sliding the controller.
As for midi, its actually a really old and simple protocol. At base its hex that is interpreted as channel, note value, note on or note off (in midi there is no "sustain" per se, a note stay on until turned off and vice versa. That makes sense when you think of the bandwidth in the 80s. They couldn't have continuous data. Just discrete events.). There's other values, like velocity, but that's just the basic rubric.
Thanks for the info, I'm just learning. The midi learn in Buzz only works with nicer plugins that have better fleshed out midi learn features (by right clicking the parameter). But not all work like this and I have to use the mouse on a knob or parameter and press record to get the hex values in my pattern editor for alot of plugins. I haven't figured out yet a way to assign the MIDI parameters to my Arturia board without a good MIDI learn function on the plugin's side but I think there probably is a way I'm just a noob.
There's this too. There's a free version somewhere on their site. It's limited, but I used it to associate buttons in a midi app on a tablet I use with keyboard commands, so I can cut, paste, move around, etc. with a tablet (I don't have much room for a keyboard on my desk. Too much shit, and my pullout underneath is an full sized S88.).