GNU social JP
  • FAQ
  • Login
GNU social JPは日本のGNU socialサーバーです。
Usage/ToS/admin/test/Pleroma FE
  • Public

    • Public
    • Network
    • Groups
    • Featured
    • Popular
    • People

Conversation

Notices

  1. Embed this notice
    Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:25 JST Moira Moira

    #Poem a day for about eighty days, #thread. These are from my #poetry books from awhile back. >>

    s h e s e l l s b o o k s

    from nine to six. They are
    good books, well bound, well written, colorful
    to the eye, and children love them, but

    the town is poor. She sits waiting for hours
    for one grandmother to come in and buy one book
    for a favored grandchild. The owner of the store

    is her friend; she cannot leave her just now, but the store,
    she knows, is not her place in life. All
    she has ever wanted is to farm: at evening,

    when the dinner things are cleared, and the hot sun
    drops behind the cottonwood, she farms.
    Food for the ducks, and soapy water for broccoli;

    old lettuce gone to seed comes out; the hay
    is rearranged, and fall peas go in. She stops
    only to hear the geese pass overhead,

    then bends among her plants until the stars,
    first one and then another, leap and are caught
    in the hair of approaching night, so like her hair.

    She comes in, soiled to the elbows, leans against
    the table, extending an open palm. "Look,"
    she says, her eyes afire. "Marigold seeds!"

    In conversation Sunday, 26-Nov-2023 10:36:25 JST from c.im permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:02 JST Moira Moira
      in reply to

      Three deep breaths, palms together,
      Here in her room, or elsewhere, she may
      Rise and take. A habit she has formed,
      Even as most of her ideas, ideals,
      Even her so cherished findings, hard found,

      Deducted, inducted, reasoned, debated, polished,
      Even those most like faith, as taught her,
      Even those most like science, measured, observed,
      Peeled one by one: a human desert, she.

      By three deep breaths, she centers somehow: how?
      Reality itself a question she's no longer asking,
      Eating and sleeping themselves provisional.
      All she bothers to call caring is now to listen
      To breath, room sounds, outside sounds, to
      Her friends, their worries unpacked, their voices
      Spending both hope and pain. She bows.

      In conversation Sunday, 26-Nov-2023 10:36:02 JST permalink

      Attachments

      1. Domain not in remote thumbnail source whitelist: she.by
        She.by - She is a trap
        Do you like traps? Liking traps is not gay!
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:03 JST Moira Moira
      in reply to

      What she will do today is walk and take in
      Hand her apple staff, leaning on it
      As she does now, more and yet more
      The nearer arriving to a last heart beat

      She comes, and check for vegs and berries.
      Here are yet more peas; she's not as
      Eager for them as three days ago.

      With a bit more busy-ness, she'd go
      In for blanching those. Onions and
      Leeks too small yet; almost out of
      Lettuce; tomatoes on the other hand

      Doing well, and some ready already.
      Oh, she could cut kale, collards or chard

      This morning like any late spring morning,
      Only she's hungry for something more.
      Do what she will, there are yet no pears,
      Apples, zukes, potatoes, corn, or beans.
      You must make with what you have.

      In conversation Sunday, 26-Nov-2023 10:36:03 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:04 JST Moira Moira
      in reply to

      She knows the weeds will win. Sometimes, at night,
      Hearing them grow in her dreams, she'll wake, grasp
      Even in her two hands, a phantom thistle, or

      Knotweed, errant blackberry, or teasel.
      Now not able to turn and sleep, she'll rise, throw
      On her robe, and step out into night;
      Walking the way the slim moon shows her,
      She throws aside her garden gate and listens.

      There might be corn and tomatoes chatting,
      Having about as much to say as farmed things.
      Even a whisper among the kales and chard --

      Whatever such things say. Beyond are beds
      Ensnarled in dock, barnyardgrass, bindweed,
      Everlasting morning glory vines.
      Dire straits; but there's no sound there.
      She knows they're biding their time,

      Watching for her sudden return, sickle
      In hand, fire in eye, seed packets in mind.
      Level them, they fear she means to, or
      Leave roots drying in summer sun.

      Well, that's tomorrow. She turns now; steps
      Into her lightless house. She'll give this up
      Not soon, yet knows how it must end.

      In conversation Sunday, 26-Nov-2023 10:36:04 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:04 JST Moira Moira
      in reply to

      There are two climbing roses by her gate,
      one to each side, with velvet blooms, small,
      but heavily scented, suitable for soaps, salves

      and potpourri. They blossom out together,
      several hundred, perhaps a thousand whorls
      French pink, shading to cream, the haunt

      of matching shy arachnids. How tall they'd grow
      she doesn't know, having twined an arch of willow
      whips atop her gate, to bind them to.

      In her middle years, her family took this place
      and named it for the stony creek, dry
      in summer, rolling through between house

      and garden. A storm year came; that garden up
      and vanished down a river to the sea,
      leaving them three dead plum trees and a rose.

      She started fresh, by the house. For the rose
      she chose north, a shaded wall, and while the bush
      liked a hidden spring there, for drinking,

      it never cared for the paucity of light. It'd
      stretch its greeny fingers roofward, up
      and over; send roots drilling left and right;

      make awkward shoots. Shift it one more time,
      she thought. Maybe both sides of a sunny gate
      she'd build, with an arch. The spot she had in view

      she could muse on from her kitchen window.
      Again two days of digging, and with her bow saw
      made one rose two. Would they take another journey?

      It seemed they would, though they'd always want water;
      She'd have to remember to make the hoses reach.
      She wouldn't mind if the roses wouldn't mind.

      In conversation Sunday, 26-Nov-2023 10:36:04 JST permalink

      Attachments


    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:05 JST Moira Moira
      in reply to

      praying for rain to stop

      While watching forests comb wet bellies,
      All grey and louring, of heartless clouds,
      I wondered how the heavy earth breathes
      Thus more than dampened, more than drowned
      In so much rain. The very snails could gasp,
      Nudging toward such daylight as they might,
      Grudged them by endless drops, dropping.

      Fear for my crops, standing in chill pools
      Or bent, prostrated, shambled, lying left and
      Right, I feel, yet not enough to go and see.

      There are tree branches, if I go, ready to pull
      Hair, poke eyes, and shower me to my skin,
      Every direction, along each path and bed.

      Running streamlets ease a darkening land
      All river-bound, discovering the slightest slope,
      Inland being anathema to them,
      No place like home, their wide and welcoming sea.

      There all streams meet, mingle, and play.
      Ocean the lowest place, where rain may end in

      Stillness some times, or leap about, yet bounded.
      There it may stop awhile, then one day mist forth
      Over waves and shores, plains and mountains
      Putting forth life and death again, a cycle.

      In conversation Sunday, 26-Nov-2023 10:36:05 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:05 JST Moira Moira
      in reply to

      a path*

      Along the new trail, built by no one I knew,
      acorns had fallen by thousands, more than enough
      to leave creatures dazed by too much fortune.

      Conkers have tumbled among them, each
      experimentally chipped and then rejected
      by some set of tiny teeth. Hazel nuts

      were better, it seems. Should an adder pass en route
      to denning, amid this rich mast, amid
      this late fall of goldened leaves of ash

      and beech, I might merely step aside,
      unalarmed as any fattened squirrel.
      Across the pasture, I remember, past

      the partly shaded ferns, cowslips, bluebells,
      buttercups of spring and summer, where
      falling water, catkin-patterned, drowned out

      the cygnet's cry in an otter's teeth (witnessed
      by a kingfisher, two low-flying larks and a heron),
      a willow had leaned to hide that tiny sorrow

      and also shade a loafing spotted newt.
      The hill behind, where bees sought nectar of a kind
      from sunburnt heather, swept up to a copse of oak,

      wrapped in a druid's dream of mistletoe and ivy.
      There I had paused for dandelion wine.
      Perhaps the trail will help some find this place.

      My children, do not forget there is a world.

      ________________________________
      *This was written in response to a report, by Robert MacFarlane, of the
      disappearance of certain words from the Oxford Junior Dictionary. It contains a number of the examples cited.

      In conversation Sunday, 26-Nov-2023 10:36:05 JST permalink

      Attachments


    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:06 JST Moira Moira
      in reply to

      upon slowly waking, she

      rouses from a dream of fear. Suppressing
      a moan, spine filled with fluids overnight,
      yes, again, and ankles still in pain. Across

      the flanks of her beloved she now crawls,
      stumbles round the room to find the handle
      of her life, or only the door, sliding her feet along.

      A floor creaks with dry rot as she steps among
      the objects that reshape her: bloomers, slips,
      half-slips, girdles, bras, tights, stockings.

      She feels, Braille-fingered, for the small room where
      all who seek may find that men or women are
      only men or women; here they see themselves

      before any other's eyes, and by a harsh light.
      Her eye looks deeply through her from the glass;
      tells her that her sorrows are contemptible. So?

      She does not plan to die today, no, nor call in
      sick, returning to the now cold sheets, seeking
      to resolve that awful dream. Call it what you will,

      habit if you like, but she carries herself into
      the living room, satisfactory sight, remodeled
      somehow, despite poverty: white walls

      and ceiling, cleanly textured, fireplace patched,
      mantel graced with oil lamps and seemly books:
      here she dresses. Outside, darkness, low

      clouds, and the rattling of busy downspouts.
      She shrugs. Through kitchen to the cold mudroom,
      listening to the change in foot-fall of her heels,

      from wood to tile, to concrete, she moves on,
      pace quickening. No entropy now stops her.
      Gathering her bent umbrella and stained coat,

      she opens a door. She walks out to the world.

      In conversation Sunday, 26-Nov-2023 10:36:06 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:06 JST Moira Moira
      in reply to

      praying for rain

      Perhaps the seedlings were better off inside,
      Really. She's never sure what's best for them,
      All down the years trying peat pots, blocks,
      Yanking down flats from storage, penciling markers,
      Ingratiating herself with baked soils,
      Now trying perlite, vermiculite, moss,
      Getting out lamps and heaters, rotating flats,

      Fighting intruding snails, mice and rats
      Or even knotweed and bindweed
      Running their tendrils up through brick.

      Right now, she wishes she hadn't hurried.
      All her helpless babies in cracked clay!
      If it doesn't rain tonight, she tells herself,
      Never again shall I call April May.

      In conversation Sunday, 26-Nov-2023 10:36:06 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:07 JST Moira Moira
      in reply to

      Polyhymnia walks between the beds
      critical of eye, noting the way the leaves
      of corn have curled upon themselves,

      rattling in hardly any breeze at all.
      They'd like to make believe it's Autumn now,
      would they? Playing at getting past the part

      where seed heads form, waving their silky hair,
      and then depart, leaving the leaves bereft
      of any purpose but to leave this world --

      except, of course, they don't: that is the gift
      of mulch. She brings the hose and couples to
      its end a yellow whirligig, made to sing

      the holy song of water to the leaves.
      Today, green fulness. Tomorrow, living grain.

      In conversation Sunday, 26-Nov-2023 10:36:07 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:08 JST Moira Moira
      in reply to

      It is so dry now, my desiccated friend
      
spits in the bowl of his pipe before applying

      flame to its bitter balm, for some kind of balance.



      We tread on rustling mulch to study rustling leaves,
      
folded in desperate prayer, of what will surely be,

      still, next year, an orchard and a kitchen garden

      

if -- large if -- the well does not run dry.

      Everywhere flit wasps, sipping at beetles'
 abdomens,
      having small aphids for dessert.



      The birds have capped their singing, panting in

      small shade. "Ninety, ninety, ninety-three and ninety,
      
ninety-seven today, and ninety yet



      for all the week ahead, with this drying wind.

      Don't you think things are getting out of hand?"


      I ask him. He blows a little rueful smoke


      but makes no answer. I anyway know from long

      acquaintance his position: "there is a law,


      and you and I and all these aching things


      can never break it." It's that second law

      of course, the one that is the silence heard


      after all laughter, after songs and tears.


      Soon the moon will rise, grand but red,

      dressed in soot from a dozen cackling fires.

      In conversation Sunday, 26-Nov-2023 10:36:08 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:08 JST Moira Moira
      in reply to

      When Polyhymnia sends refracted light
      
shimmering toward parched and shriveled roots,

      seeking some semblance of promise kept alive


      between her hands, her well, her seeds and soil,


      A bit of fluff, a female Anna's, comes

      to perch nearby, cocking its tiny head


      and waiting. Waiting for the hose to steady

      its cold blast toward some fainting eggplant


      or tomatillo, ready for a burst of aimed


      delight, catching one rainbowed drop of water

      short, then flitting to the fence again,

      shivering. To the Muse of hymns and farmers it's



      a game, to the throbbing ball of feathers more.

      Its heart will stop without the gift of rain.

      In conversation Sunday, 26-Nov-2023 10:36:08 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:09 JST Moira Moira
      in reply to

      When her back began alarmingly
      
to creak, and all the earth receded far
      
below, she made herself a bench, a slat



      of fir between two other slats of fir.

      Her knees derided her presumption, so

      she tacked a bit of carpet on, to ease



      the landings when she launched them out and down,

      hoping, as she did so, nothing was

      missing: not the ho-mi, nor the seeds



      or seedlings in their flat, or soil she'd stolen
      
from the neighbor's molehills, baked and sifted,

      nor the hose-end with its chilly hand



      of brass. Any unpresent thing could send her
      
wandering from barn to potting shed

      to kitchen counter, swearing at herself,



      ending in her having yet another
      
cup of something, using up the morning's

      bag of tea -- again. Gardening



      is knowing what to do, and when, they say,
      
leaving out that bit about old brains

      forgetting what to do about forgetting.

      In conversation Sunday, 26-Nov-2023 10:36:09 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:10 JST Moira Moira
      in reply to

      cityscape with pink rose

      I stop at the flower lady's cart
      to see if she has roses. There are a few,
      with straggling leaves. The blooms

      are decent still, especially those in pink.
      She interrupts her desultory lunch,
      brushing crumbs from her sleeve, to slip

      a long-stemmed pink from among the buds,
      carries it to her work table, and deftly wraps
      the stalk in a yellow paper, tying it,

      gentle-fingered, with a thin red ribbon.
      I watch her eyes as I buy; they are like
      those in the face I love, but the spirit is closed:

      she has dwelt upon disappointments.
      As I turn away, I see in my mind's
      eye, myself turning back to buy for her

      one of her own roses. Ha! no doubt she must
      throw away many; of all things, wouldn't
      she be sick, by now, of flowers?

      Trading, as she does, in these signs
      of the happiness to others, what would be
      happiness for her, here, today? I catch

      her tracking me warily; now, as if to say:
      is there some problem with the rose? No.
      Or, rather, yes. Or no. I stand, unworded

      by the mystery of unsharable joy.

      In conversation Sunday, 26-Nov-2023 10:36:10 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:10 JST Moira Moira
      in reply to

      "There was a word for that -- I am forgettin' it;
      forgettin' things I thought I'd never not know --
      As I once understood th' way a shackle will turn

      to follow th' wire rope reaching back to th' pulley,
      or which way th' water will run when it falls
      from th' crook of an east-leaning alder in th' rain,

      or run from an alder's elbow that leans west,
      when th' storm comes in, always from southwest.
      Oh, th' word! A short one, I should be able to just

      say it! Clevis! Yes, we called a shackle a Clevis,
      I don't know why. So, John, he picked up th' Clevis
      and hung it on th' drawbar of the Cat, slipped

      th' loop onto it, and reached to set th' pin;
      but Alley, he thought he'd heard John say 'Ready,'
      an' put her into gear. So. That wire rope

      sang just like a bowstring, an' th' Clevis
      rotated right around th' slot in th' drawbar
      an' went through John like he was made of suet.

      He stood there for a moment -- like me now –
      trying to remember. Fixin' in his mind
      what it had been like, bein' alive."

      In conversation Sunday, 26-Nov-2023 10:36:10 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:13 JST Moira Moira
      in reply to

      As the rains return again, she notes, almost
      in passing, how her strait love remains;
      how darkness, wind, and sorry days of

      work and worry cannot shake it. We are not
      built to last; we know that. Some speak of life
      as it were stark tragedy alone, a

      trudging from diaper to death bed, doomed
      because end it must. Others try, by seeking
      comedic relief, to put such gloom aside,

      assuming that to live brightly today will,
      somehow, pay for the pain of barely living
      later, when last years have but begun.

      Her truth: somewhere between. She would,
      if the gods permitted, lose herself in your eyes
      every day of forever, but knowing this

      will end, and relatively soon, makes her not
      over-sad, nor will she lie to you now
      with thoughtless laughter; rather it makes her

      carefully love you, deeply as she does here,
      breathing your name in, breathing it out, like prayer.

      In conversation Sunday, 26-Nov-2023 10:36:13 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:14 JST Moira Moira
      in reply to

      william stafford

      Here was a man who was known
      as an Oregon poet.

      He never wasted words.
      He wrote a poem

      Every day, rain or shine, and so
      he had some

      rain poems and some shine poems
      and if people

      came to him saying, sir, give us a book
      he would turn

      and rummage in desk drawers
      or grope

      along shelves in the kitchen.
      Pretty soon

      there was their book, bright as
      Sunday morning

      but sharp, too, like bottle glass.
      He'd hand

      it to them carefully, carefully.
      And it was

      their hint. After that they'd have to
      look out for themselves,

      and that, I guess, was his Oregon
      message.

      In conversation Sunday, 26-Nov-2023 10:36:14 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:14 JST Moira Moira
      in reply to

      grace

      They do not always sit with an easy grace,
      the aging: in afternoon light, even in October,
      cracks invade her clear skin,

      showing in relief, and he knows dismay,
      seeing her, his own once simple face
      crowding itself, as when a life within

      doors runs out of thought. Yet, sober
      as this renders him, he will not turn away
      from her to seek some easier play:

      there is no win or lose, no hunt, no race,
      no battle. His eyes would disrobe her,
      for she is to him more than she has been,

      and he would know all, even here,
      as passers pass, not seeing what his eyes see;
      but he will wait on her clear sign

      that this is welcome, even from his gaze,
      for she has known most men hold themselves dear;
      known too long their avarice that she

      should shape to their dreams, their ways,
      their endless drawing round her of sharp lines,
      their wrapping an arm carelessly round her days,

      their failing, in this many years, to touch the key
      moment of her heart, that movement lacking fear
      when she might freely give, without design.

      Placing her hand in his, she shifts and sighs;
      a not unhappy sound, considering the hour
      and how late, as well, this man has come to her:

      five decades they have lived apart,
      as though all meaning had to be deferred;
      as though some god, having hated happy hearts,

      had suddenly relented, offering them this prize.

      In conversation Sunday, 26-Nov-2023 10:36:14 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:15 JST Moira Moira
      in reply to

      beech lake

      Spring, and spring of her life also. She walks
      to water to stand behind sedges, thinking of snakes.
      And snakes come. First one, lazily, tail

      sculling, head high, counterclockwise along
      shore, and then another. And then -- another.
      All going, she notes, the same way round. Next day,

      incorrigible child, she rigs a black fly rod
      with stout green line tied, butt end and tip end:
      a snare. Back to the sun-long lake. The snakes

      continue their rounds. She casts loop, she waits.
      One comes, riding high in clear water, black eye
      bright. Caught, the looping, livid thing

      bends the rod double almost. On close inspection
      she speaks its given name: common water snake.
      Proudly she touches the twisting ribbon of flesh,

      but it turns to sink four quiet rows of teeth
      deep in the base of her thumb. Shamefaced, she
      lets the bright creature go; it swims sedately,

      maddeningly counter-clockwise: nothing
      has happened to change its agenda. Rod forgotten,
      she sinks to her knees among sedges to watch

      fishing men quietly fishing in beech-shade,
      shading her eyes with her still throbbing hand.

      In conversation Sunday, 26-Nov-2023 10:36:15 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:16 JST Moira Moira
      in reply to

      silence

      At this high bridge begins silence, even
      as whitecapped water beneath
      runs against rock and fills the hearing

      with its white roar; this is not the sound
      of human trivialities, of men disrespecting
      women, women turning aside

      with embarrassed smiles from men,
      the sound of pulling of tabs,
      ripping of aluminum, assorted

      purrs and rumbles of fire along the pavement,
      wrapped in steel. She gathers her oldest friends,
      space blanket, matchsafe, whistle, map,

      cheese, bread, water bottle, and poncho,
      and stuffs them in her old firefighter's vest.
      This is a new place, but deduction finds

      the lightly traveled path, snaking across
      a landscape steeped in stillness.
      The vine maples have yet no leaves,

      and the moss-lined nests in their jointures
      contain no eggs. There are times
      when tall firs on these ridges

      creak and suffer, a forest of bent masts
      in a wind-smashed harbor: this is no such time.
      She has been used to walking alone in forests;

      has walked among peaks dawn-rosed
      at sunrise, or hunkered under wuther
      of rain-heavy winds, or under smother of clouds

      among tree-trunks. Now, for a sudden,
      she stops, puzzling her alienness. What
      can be different? There are yellow violets,

      trilliums, oxalis. She gathers moss and horse lettuce,
      a couple of conks, and pebbles, yet connection
      is missing. Her heart leaps cold in her chest,

      and her pulse rattles. On an impulse she whirls
      round on her track, examines
      the trail behind her and a hillside of

      silences. The silence is plural, but how
      do you read absence? What does she not see?
      Bear? Cougar? It is a feeling one has

      when the sights of the rifle are trained
      on the back of one's neck. Often in life
      she has felt this, but only in cities

      and the lifelines of cities, those rivers
      of asphalt and their pageant of strangers.
      She must establish herself here, she feels;

      some introduction has been omitted. She searches
      her vest and locates an old pipe,
      a treasure remaining from another life;

      it goes where she goes, though she thinks of it seldom.
      There is little tobacco in the bowl, but enough,
      and she chooses a bit of mountain,

      a leaf of kinnikinnik, to add. Self-consciously
      borrowing culture, she aims the pipe
      at four points of the compass, the grey sky,

      the soundless earth at her feet, then sits
      fumbling with the lid of her matchsafe.
      Fire lit, she sends smoke quietly aloft.

      It rises uncertainly, then finds the drift
      of cold air sliding downslope into evening.
      Whatever seemed angry seems to her angry still,

      but gives way before the smoke of offering,
      and makes with her a capful of truce: she will not
      be eaten today, it seems, tripped up, or smashed.

      She will not name the place, "place where I broke
      my leg" or "place where I lost my spirit."
      In return, she must finish this hike now

      and not soon return. Replacing the horse lettuce,
      conks, moss, and stones, she wryly smiles
      a little: if this is superstition, so let it be,

      she says to herself. We do what we have to do.
      The silence, which she'd thought a hieroglyph
      of an unknown tongue, nods and agrees.

      In conversation Sunday, 26-Nov-2023 10:36:16 JST permalink

      Attachments


    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:16 JST Moira Moira
      in reply to

      the wall her father built

      The wall her father built to muscle back
      the brown flood waters of the creek still stands.
      It leans away from the run and hugs the contour

      of serpentine embankment, redeeming years of silt
      by interlacing a thousand granite slabs
      against the tide of spring and spill of storm.

      He could not bear the thought of land he'd
      paid for picking up to run away downstream,
      ending in useless mingling with other men's dirt

      deep at the foot of the continental shelf
      ten miles beyond the Chattahoochee's mouth.
      So he built. Each day, though tired from climbing

      poles in Georgia sun for the Georgia Rail Road,
      he slowly removed his cotton shirt and sank
      to his knees in the creek, feeling for stones

      with his bare toes, prying them out of their beds
      with a five-foot iron bar. He heaved them up,
      wet and substantial, on the opposite bank,

      and judged them, then carried them, staggering
      under the load, to their exact spot in the rising wall,
      setting them down like Hammurabi's laws, never

      to be revoked. The whole he stocked and faced
      with wet cement his daughter carried to him,
      breathless, in a pair of buckets slung

      from a home-carved yoke. Wall done,
      he capped it with a pointing trowel, and with
      his finger wrote the child's name and the year

      nineteen fifty-five, which you will find today
      if you scrape back moss. The house has had
      six owners since, and of these none has given thought

      to who prevented their foundation washing out
      with freely offered labor long ago: or perhaps
      they have. There's something in a wall's

      being there that speaks of someone's having lived
      and looked upon the land, giving shape to time
      and place. Then taking stone in hand:

      In conversation Sunday, 26-Nov-2023 10:36:16 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:17 JST Moira Moira
      in reply to

      hall creek canyon

      When they returned from building the kay-dam
      (of logs and drift pins, to make again
      a place where salmon might yet spawn)

      they divvied up: each hauled a pack frame
      loaded with tools and sundries, twice down
      the canyon to its end, then up the old fire trails

      a mile and a half, ducking vine maples
      all the way, to the parked trucks. A third trip
      for each would end the business,

      but night came on, as it generally does;
      they might have come back another day, but
      as the moon was full, down they went.

      One folded and refolded the old tent
      and packed it away, while the others sat,
      taking down the old sheepherder stove,

      dumping ashes, talking. She would walk ahead,
      she said, and slumped off down the scoured
      sandstone ledge of the dry wash, admiring,

      even in near exhaustion, the old moon
      drifting among the snags. She came upon
      the canyon with its pools and riffles,

      and, regarding the first fire trail
      as too steep, trudged on to the second,
      wading a beaver pond. Logs at the head,

      old growth, lay jackstraw piled, and she footed
      along them easily, as she had done
      in dozens of such draws. A big cedar sighed,

      turned lovingly in its sleep, and with
      an almost inaudible click, closed over her shoe.
      There was with her no axe, no lever of any kind.

      She stood knee deep in black water, too far
      from the landing to be heard, neatly caught.
      What if her co-workers took that other trail?

      She looked back as she let slip her heavy pack,
      seeing no movement but the falling moon,
      knowing that one alone in such a place

      has, while there, no name at all.

      In conversation Sunday, 26-Nov-2023 10:36:17 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:18 JST Moira Moira
      in reply to

      j.s. bach

      She turned up the weeds without pity, spreading
      their roots before the sun. Most of them died,
      though a few tenacious grasses rolled over

      when she was not looking, and sucked earth
      till she found them skulking about, and banished them
      to the heap with the egg shells and old tea leaves.

      Returning to the scene of the massacre, she placed
      a five-tined fork before her, pointed toward
      the earth's core. On its step she placed her boot's

      sole, and drove its teeth home, tearing living soil.
      She did this many times, and in her hearing,
      the dark loam whispered in protest. But what

      was she to do? One must eat, and the white seeds
      in their packet were waiting for the sun.
      She carried a blue denim bag at her side,

      zippered it open, feeling about in its depths
      like the housewife at the station platform
      seeking her ticket for the last train --

      Seizing her prize, she held it in a soiled palm,
      reading the runes of inscription:
      "Date of last frost"; "zone three," "days

      to maturity." How many days now to her own
      maturity? Not to be thought of. Her hand
      trembled. Tearing the thin paper rind,

      she tipped out contents: a shirtfront
      of buttons. Five seeds to a hill she counted,
      pinching their graves over them: three hills.

      And on to other tasks. The rainmaker
      whispered over hilled earth all
      the zone's days to maturity, and the date

      of first frost held true. Almost forgotten in the rush
      of gathering in others: beans and corn, tomatoes--
      she sought them last in October, the golden

      fruits of that planting. Her other crops
      talk to her; the Hubbards never do. (What are they
      dreaming at, over there? She brings out the knife.)

      Now it is March, she remembers having gathered
      the silent, sulking Hubbards. How are they faring?
      A look into the pantry reveals them,

      dour and uncommunicative, all
      huddled like bollards on the high shelf.
      She chooses one to halve on the kitchen block.

      Scooping out seeds to dry and roast later,
      she bakes the halves till soft, slipping off skins
      per Rombauer & Becker. "Dice them,

      and in a mixing bowl add butter, brown sugar,
      salt, ginger, and move the lot to the mixer,
      remembering to add milk." With a bowl

      of silent Hubbard thus richly dressed,
      she goes to the living room, asking blessing
      of the gods of the steel fork and the weeds,

      the rainmaker, the packet of white seeds,
      booted foot and blue denim bag
      and the longtime summer sun, eating,

      listening to a fugue by J. S. Bach.

      In conversation Sunday, 26-Nov-2023 10:36:18 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:18 JST Moira Moira
      in reply to

      sometimes

      this is what you'll come to, picking about
      in earth, pulling morning glory roots
      like long white worms and heaping them

      beside you of a morning: you will become
      distant and glum, and as your wrists dry up,
      caked in clay, you'll look around you, and

      not your small red barn, your irises,
      your bamboo patch, your oak and ash,
      your three brave maples rattling in the breeze,

      your small house bracketed in lilacs, breathing smoke,
      your woodshed stacked roof-high,
      your mint and parsley putting on new life,

      your geese, your ducks, your pear trees in bright bloom
      will rid you of the thought of what this is
      that you are digging, bit by troweled bit.

      Assuming the sun will come out, which now
      it does, things won't seem quite that bad,
      and yet you will walk stooped, with furrowed

      brow, into the house for a late cold lunch
      without words, for there are no words
      to share what it was the cold ground

      said to your hands just now.

      or, sometimes

      you'll come to this, lovingly rooting
      in earth, gently setting to one side
      fat worms, watching them

      sink from sight with shrugs of their nonexistent
      shoulders. As your wrists dry up, caked
      in clay, you'll look around you, and

      your small red barn, your irises,
      your bamboo patch, your ash and oak,
      your three unfurling maples whispering in the breeze,

      your white house bracketed in lilacs, breathing
      smoke, your woodshed stacked with fir,
      your mint and parsley putting on new life,

      your pears and apples, your geese in their bright plumes
      will bring to you the thought of what this is
      that you are digging, bit by troweled bit.

      Assuming that the clouds will come, which now
      they do, you will take things as they are,
      and so you simply walk, with even-tempered

      gaze, toward the house for a late cold lunch:
      one without words, for there are no words
      to share what it was your hands

      said to the green earth even now.

      In conversation Sunday, 26-Nov-2023 10:36:18 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:19 JST Moira Moira
      in reply to

      lettuce in winter

      The potting room was a miserable dank
      shed, trash-chocked, roofed in plastic, blackberries
      ingrown amid bedlam. she dragged it all into

      the light, sifting for tools or nails, then
      consigning the rest to dump runs. With one son,
      the quiet one, she roofed the room with scraps,

      tucking, there, or here, oddly-sized old windows.
      To the south, a sliding door turned on its side
      served for greenhouse glass. A friend's offer

      of a chimney to salvage solved the question of how
      to floor. With her other son, the tall one, she
      rented a long-legged ladder for picking bricks

      from the air, frightened at every ragged breath.
      They piled them by the plant-room door, and the girl,
      last child, brimful of jokes and laughter, brought

      bricks to her from the pile, which she set face up
      in a herringbone pattern. They swept sand and mortar
      into the cracks, and danced in the sunbeams then.

      Now for a bench, new-painted green for the color
      of wishing, and pots of all sizes, flats too,
      with a tall can for watering. She hankered for lettuce

      in winter, and sowed the flats in October. After
      a month, wild geese and their musical throats gone south,
      she noted her seedlings spindly and sad, so taking

      hammer and two-by sixes, built a quick cold frame
      with the other half of the always helpful sliding
      door. By the sunny south wall in the duck pen she framed it,

      and dibbled the seedlings within. They liked that,
      but a darkness comes on in December; after a full
      day, full week, one comes home exhausted, to eat,

      to sleep, not to water gardens. One thing
      only has saved the lettuce: the ducks do not like
      coming in for the night. She goes into the dark

      to disturb them; they rush about complaining;
      the madwoman hops and chuckles. She locks them away
      from coyotes, and turns, as in afterthought, to visit

      her seedlings. By feel she gives them water, her hands
      stretching toward summer in unseen leaves.

      In conversation Sunday, 26-Nov-2023 10:36:19 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:20 JST Moira Moira
      in reply to

      c o u n t r y fo l k i n a u g u s t

      Whenever we worked at the creekside shed
      there was always something else to do
      such times as we were stumped, or nails ran short,

      or the sun reached round the fir and baked us down
      from raftering, roofing, or the like. We leaned,
      gossip-like, against the fresh framing

      of the walls, sipping solar tea,
      watching the edge of a cloud's long skirt
      chase the neighbors' horses leisurely

      across their pasture, down the camas swale
      and up the other side, against the black contrast
      of maple-shrouded hills. The horses liked

      to amble to our corner, stand and watch.
      We couldn't cure them of the shies,
      though we might try with handfuls

      of our green grass, or a few choice coaxing words.
      They'd check us out: first one black blink from behind
      the forehead blaze, and then another,

      cocking their long heads round to see
      our self-assured, predatory faces, eyes front,
      gazing on them, horse-flesh accountants

      by their reckoning. Their flanks
      would shiver, and their forefeet stamp,
      scoring the earth in a language built of weight.

      Some movement would always spook them off:
      a silvery chisel hefted, or water bottle sloshed,
      spattering sun. They'd hammer up the swale;

      lovingly we'd watch them go, coveting
      our neighbors' lands and all that lived thereon,
      as country folk in August always do.

      In conversation Sunday, 26-Nov-2023 10:36:20 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:20 JST Moira Moira
      in reply to

      She'll choose two cans of color, exploring them
      for the soft caramel of good set, putting aside
      flakes of air-dried dross with her inking knife.

      One, a can of orange stuff, she's been given
      for imprinting brew-pub six-packs; the knife
      scoops up a dollop and ferries it to the disk.

      The other is your standard black; the smallest
      bubble of this she'll add to the orange, and stir,
      in hope of a decent brown. A heave of the flywheel

      begins the inking-up: the disk turns a bit
      with each revolution of the wheel, and the ink,
      smashed paper-thin by rollers, spreads evenly

      across its face, painting it, painting the rollers,
      as her foot pumps the treadle, and her face
      admires, as it always does, the view from here,

      of garden dressed in straw, of mountain air
      training the rainbow windsock northward,
      of Jasper Mountain becoming a hill of gold

      in the sunset. Gathering the furniture, reglets,
      quoins, quoin key, and the new magnesium cut,
      she locks the chase, fastens it to the bed, shoves

      the wheel, this time with impression lever on,
      and lets the cut kiss the clean tympan paper
      with an image. Around this image she sets quads,

      tympan bales, and bits of makeready, and prepares
      the stacked sheets to be fed from the feed board
      into the maw of the Chandler & Price, known

      to pressmen for a hundred fifty years as the
      Hand Snapper. She reaches for the radio's knob.
      Rachmaninoff? Damn. Oh, well, turn

      wheel, pump treadle, lean forward, lean back,
      click-click, click CLACK, work-and-turn,
      deliver the finished sheets to the delivery board,

      admire mountain, lean forward, lean back.
      Rachmaninoff gives way to Mozart's glorious
      forty-first symphony, and Jasper Mountain

      gives way to night, and in the black window
      a woman in her fifties, leaning forward,
      leaning back, critically appraising the music,

      the printing, and herself, click-click, click CLACK,
      sour bones and a game leg but a job well done
      and the Mozart's Mozart. Four hundred sheets

      later, and well into Bruch, the wheel stops,
      the chase is unclamped, the disk and rollers
      washed up, and rags canned. The reflected

      window-crone lifts a sheet of work
      to the light, examines impression and matter.
      Reaching to silence Bruch, she sees the stilling

      silhouette of the rainbow windsock:
      it waits for dawn; for fair and lofting wind.

      In conversation Sunday, 26-Nov-2023 10:36:20 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:21 JST Moira Moira
      in reply to

      Entropy. Cartilage has vanished from between
      long leg bones, and I have become
      dependent; may I have some help please
      with these pants, these socks, this clacking

      knee brace, this burgeoning heaped skunkish
      laundry full of everything that leapt from
      the spoon onto my clothing, this tea welling up
      somehow from my cup's brim to spread across

      the tidal flat of my shaking hand and fill
      the sea cave of my sleeve? Huh, and if
      last night's frost has subsided enough,
      perhaps even with such a day's beginning

      I can hope to step into these two unmatched
      clogs and shamble on, past undone chores,
      gathering up my left-hand stick and my right-
      hand stick, and walk the dog. There is no dog;

      what he left behind lies there: that small
      basaltic stupa, littered with seasonal
      offerings -- lately, deadnettles that wilt
      in such hurry. But I call to him anyway;

      he loved these walks so, that I feel obliged,
      knee brace and all, to retrace our kinhin route
      each weekday Armageddon fails to materialize.
      Oaks throw shade; in summer I seek them,

      in winter avoid. This is a ritual. As when I sit,
      as when I chant, I know, even when tongue tied,
      or falling asleep, or feeling my knee brace loosen and drop
      just as I stagger into the ditch to avoid a truck,

      that ritual is a kind of living being, made up of
      my life and also the lives of all who participate
      in some way, such as: "are you going to 'walk
      the dog?'" Yes. "Have you got some water and

      your phone?" Yes. "Okay; if you're not back
      in an hour, I'll come looking for you." I bobbled
      the Heart Sutra this morning, as I always do,
      but this little exchange of hearts is itself

      the Middle Way. Along the road, taking tiny
      steps, tinier every year, I stop
      to watch a robin angling for its worm.
      The little dog that isn't there

      wags his universe of tail.

      In conversation Sunday, 26-Nov-2023 10:36:21 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:22 JST Moira Moira
      in reply to

      B a b y g i r l,

      you almost kiss
      the bed with your small lips,
      sipping night in these

      surprising infant gasps
      that hold a little life in you
      for seconds at a time.

      You sleep well, unless
      the hour is cool, and then
      you hunt for arms, and nose

      to cold nose, tell silently
      all you know into our beating hearts
      until dawn comes.

      I listen in fear,
      for I suspect
      that when I learn

      what you are saying here between
      your parents in the dark,
      I will weep and mourn

      our having brought you here
      without your wings.


      1986

      In conversation Sunday, 26-Nov-2023 10:36:22 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:22 JST Moira Moira
      in reply to

      I've built a fiberglass-roofed hut
      where there's nothing to take away.
      After eating, I conk out.
      When the hut was completed,
      it was a children's playhouse.
      It had long been abandoned —
      covered by blackberries.
      Sometimes I live at the hut,
      drying out weeds.
      No need to go shopping.
      No movies, no popcorn.
      Though the hut is nine feet square,
      Nowhere is there a place not here.
      Within, an old nun
      gawks out the window.
      With her gnarled hands
      she trusts being/time.
      The neighbors can't help wondering —
      what's going on in there?
      For now, the old crone is present,
      losing track of Meaning.
      Knowing she does not know up or down,
      she looks straight ahead.
      A wide window below green cottonwoods--
      five star hotels can't compare with it.
      Just nestling in her zero-g chair
      all things are settled.
      Thus, this mountain nun
      doesn't squint at circumstances.
      Living here she no longer
      hankers for escape.
      Who would proudly arrange place settings,
      trying to lure guests?
      Doing as a Buddha does
      cannot not be what a Buddha is.
      Instantaneousness can't be
      looked toward or away from.
      Meet the lineages and spiritual friends,
      absorb their guidance.
      Salvage fence boards to build a hut
      and don't give up.
      When your begging bowl breaks,
      which it will, relax into your day.
      Open your face
      and walk, de-stressed.
      Thousands of teachers
      babble, but the message isn't garbled.
      If you want to benefit
      from dwelling in your hut,
      Don't expect to be polishing that begging bowl
      forever.

      In conversation Sunday, 26-Nov-2023 10:36:22 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:23 JST Moira Moira
      in reply to

      w h e r e t h e w i d e w a t e r s

      roll, the fishermen
      roll their nets and go to the sun, to the broad
      boats, where light, dancing, leafs boats

      bright in gold, and gulls cross, crying,
      the scene, and cross again, complaining, where
      the fish, deep-dwelling, wait. And waves

      rise foaming, and the long swells' song
      breaks like bread, or prayer, on the blood's tide;
      all here oar-raised, green-psalmed, time-stopped

      and the soul-strewn hulls gull-followed and gold-leaped,
      arriving, see God's sung gifts named and given
      into hands, working the nets, pull! And make

      all things new, as gulls ask alms, and fish,
      lashing, gape their salt breath out, and lie
      still, communing. The wine-dark seas pass under,

      and the heavy boats swing round, and the men roll
      their nets and go, numb-handed, backs bent, harbor bound,
      gift-laden, home: where light, fast fading, locks

      land in gold, and gulls cross, crying, the scene,
      and cross again, crying.



      (This one is when you have been watching a Sicilian documentary and you think you're Gerard Manley Hopkins. Date about 1994 I think.)

      In conversation Sunday, 26-Nov-2023 10:36:23 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:24 JST Moira Moira
      in reply to

      @Moira

      b r i g h t l y c o l o r e d p a ck e t s

      She spreads the brightly colored packets
      round the table, and speaks of hope.

      I lift a flat paper envelope, with its picture

      of a perfect beet, and shake it like a rattle,
      "Hey-ya!" She sits across, nodding and smiling,
      and hefts a half pound of peas, offering its promise,

      like incense, to the gods of our little life.

      We've drawn out and made domains of the gardens.
      The east one, very small, is on the highest ground,

      and drains superbly. It is all hers.
      She loves
to dig in early spring and late in the fall,
      coaxing brassicas, beets, chard, sugar snap peas

      to grow in long succession through the year.

      The south garden, sheltered from hot winds,

      but prone to wetness, is mine. I've raised my beds

      high as I can pile them, tossed away stones,
      and spread out golden chunks of bales of straw,
      redolent of the ducks who've nested on them.

      Here tomatoes and sunflowers, limas and vine crops
      broil in the sun by day and rest by night.

      The north garden, on the only at, gets sun,

      but stays colder longer. It is the largest,

      so we share it, and here we fight. I look for
      long rows of corn and beans, and always more

      tomatoes. She tries new things I can't pronounce,
      and seeks the permanence of berries: raspberry
      is her favorite thing under the sun, I dunno.

      We fight over water, when to use, how much.
      We fight over planting depth, shade, what
      
to harvest when, and how long to blanch beans.

      We fight all the way to the bedroom; its north window
      opens onto the windswept beds. In plain view

      the rustling rainbow windsock

      presides there over the rustling corn, and our
      fighting turns to sudden loving. We hold
      each other's life, like seed, in careworn hands,

      and sleep, like seed, until the sun's return.

      In conversation Sunday, 26-Nov-2023 10:36:24 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:24 JST Moira Moira
      in reply to

      i t w a s no t e n o u g h
      to see, in colorful maga-
      zines and costly books, the country homes
      and garden walks that men and women build

      who have only ready money and a few ideas.
      I too wished to sit sometimes drinking

      tea by firelight, admiring a work of beams

      and plaster, hanging fruit and herbs, good books
      liberally strewn, and a sleeping cat (or two).

      To which end we labored without cash, days

      and even nights with saw and chisel, scraper,
      hammer, knife, and plane, using such wood,
      such paint, and even such nails as came to hand.

      Our friends and friends of our friends remembered us
      when their surplus had to go, and I went forth
      
with battered truck and pry bar, gathering decks

      and fences long past keeping for those without
      the patience to rebuild. We have learned
      to watch for stones of certain weight and shape;

      to lay a course of ninety-year-old brick,

      to scrap a window sash to get the glass

      for cutting, and to fill the oddly angled wall

      with joint compound. When supplies ran short,
      
we turned to the acre of ground, and forked and spaded,
      laying out long beds, piling them with straw,

      covering the paths with leaves of oak, maple
      and ash. Seeds bought last year at sale,

      ten cents a pack, were sown with trembling hand.

      They all did well: the new shelves are fat

      with harvest. This all has come late to me. Now
      
we do sit in chimney-corner like English cottage-

      keepers, tea in hand and cat in lap,
      ready to peruse an act of Winter's Tale
      or book of Faerie Queene, only to find

      our eyes no longer focus on ten-point type
      
for an act or a book at a time. I call the youngest
      child; she reads to me from Sendak, or

      our mutual favorite, Potter, haltingly,
      but with a will, improving as she goes.
      As she sounds out words, I watch a knot

      of fir collapse into the coals, and fall
      
to long, light sleep, with not unpleasant dreams.

      In conversation Sunday, 26-Nov-2023 10:36:24 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:24 JST Moira Moira
      in reply to

      t o o k a p i e c e o f br e a d

      and wandered:
      down to pools, to streams; examined the undersides
      of clouds, swimming on their slow grey backs

      in still water. These and the spring-bare trees,
      and winter teat of thawed leaf mould,
      and new birds on old nests, breast-brave,

      egg-rich and cocksure, and the
      first fawn mothered in close twilit last-year's bracken
      say the old songs in the blood (again), the stories

      and the root-songs sung to wordless waters
      passing these, through and among, to the sea:
      we all do this, take breath and be not afraid.

      In conversation Sunday, 26-Nov-2023 10:36:24 JST permalink
    • Embed this notice
      Moira (moira@c.im)'s status on Sunday, 26-Nov-2023 10:36:25 JST Moira Moira
      in reply to

      w e w e n t t o s e e t h e p l a c e

      in Walterville.
      Before we had even seen the house, the neighbor,
      a man of some seventy years, bent with woods work,

      stopped to chat. "The house isn't much, but the soil
      is good. Oh, it has some Scotch broom, I know,
      on the pasture, but you can get ahead of that

      if you keep after it. I helped the last folks with their fence,
      but they wanted the gate right here, where the tractor
      couldn't get in. They'd no sense."

      We asked why no fence between his place
      and "ours." "Oh, I don't need a fence.
      Don't want your apples, and you're welcome to mine."

      The sort of thing we'd hoped. We walked over
      the pasture till we reached the incense cedars,
      each one five feet thick, and found a hanging

      branch worn smooth by generations of children's swinging.
      Good, and the valley here was wide,
      with mountains stretching east and west,

      and sunshine access on short winter days.
      But the house wouldn't do; bedrooms dark
      and tiny, with telltale smell throughout

      of dry rot underneath. Desire for land
      sets one dreaming. One acre, three acres--
      not enough to farm, but who can farm

      with these prices? It becomes a privilege
      just to set out onions, and a cow
      is not mere luxury, but even a kind of madness

      to consider. We have cross fenced
      our high-taxed valleys so that to walk straight
      for five minutes can't be done, and all

      the while buying our produce from five hundred
      miles away, where the tractors have as many
      wheels as your freeway rig. I want to put

      my hands into the ground and make it yield
      enough to make my children grow, and not
      grow poor in the process. We drove home,

      and quarreled along the way about land,
      as people do who have gone to see
      not only what they could not have afforded,

      but ought not to have desired. The ducks
      were glad to see us; she watered them, and I
      fed tomatoes, and we kissed and made up,

      and lay awake in our small suburban house
      beneath the wheeling moon and stars. Why is it,
      I wondered then and wonder now, that no one

      ever seems to know when they have enough?
      When sleep came, there was a vivid dream.
      I met again the old man with no fence,

      and saw him pointing to the earth. "This
      was river bottom in here not too long ago,"
      I heard him say. "When we drilled down forty

      feet, we hit a driftwood tree, even though
      the river now is half a mile away." He opened up
      the earth somehow, and showed me the tree,

      still caught amid smooth and rounded stones
      deep beneath the topsoil, which now I saw
      was dark and rich, as he had said it was.

      I reached to touch the soil, and awoke.
      The northbound train was rumbling by the house,
      carrying produce from industrial farms,

      and I was drenched in sweat, and found the moon
      had drifted far across the window to the west.

      In conversation Sunday, 26-Nov-2023 10:36:25 JST permalink

Feeds

  • Activity Streams
  • RSS 2.0
  • Atom
  • Help
  • About
  • FAQ
  • TOS
  • Privacy
  • Source
  • Version
  • Contact

GNU social JP is a social network, courtesy of GNU social JP管理人. It runs on GNU social, version 2.0.2-dev, available under the GNU Affero General Public License.

Creative Commons Attribution 3.0 All GNU social JP content and data are available under the Creative Commons Attribution 3.0 license.