Yet it's still formally a masterpiece, and while I rejected a lot of its message, it made me think far more than most of what passes for Leftist Cinema these days, which is mostly just a spectacular representation of the revolts of the past, which we wish we could live up to, and project ourselves onto. Two or Three Things I Know About Her interrogates the reasons why we don't, in fact, live up to them
And while there's directors who will occasionally copy aspects of Godard's style to lend their film some radical chic - thinking of Paul Preciado's Orlando above all - there's very few working today who actually match his marriage of formal experimentation and radical critique. Radu Jude is definitely one, and maybe (maybe!) Adam Curtis