Notices by Chris Trottier (atomicpoet@atomicpoet.org)

So I’m looking at the response to the Switch 2, and the response looks mixed.

People complain that it’s not OLED, backwards compatibility may be iffy, and the price of AAA games has gone up.

However, it outputs in 4K, has magnetic joy-cons, and you can use them as mice.

Of course Canadians don’t want Canada to become the 51 state!

Even in Alberta, the most right wing province in Canada, only 13% of people there are pro-annexationist.

https://toronto.citynews.ca/2025/03/26/canadians-overwhelmingly-oppose-becoming-the-51st-u-s-state-poll/

Tesla – that’s right, the same company Trump was shilling for two days ago – is now begging the U.S. to back off from tariffs because it’s a threat to its business.

Things are getting quite hot for Elon Musk. 🥵

https://finance.yahoo.com/news/tesla-raises-alarm-trump-tariffs-203411586.html

Freeway (1996) is one of the darkest but also funniest films I’ve ever seen, and it’s the movie that made Reese Witherspoon a star.

And this is shocking stuff. It’s Reese Witherspoon like you’ve never seen her. I don’t think she’d ever take on a role like this again. She was 19 when the movie was released, and she displays an impressive range—really hits the high notes—that few actors ever achieve in their entire careers.

Let’s be real: this movie isn’t high art. It can be lowbrow at times. But it has something to say.

Freeway is an urban retelling of Little Red Riding Hood—except here, Little Red Riding Hood is Vanessa Lutz (Reese Witherspoon), a 14-year-old girl who can’t read. Her mother is constantly turning tricks on the corner outside their house, and her stepdad is a drug addict who won’t stop trying to have his way with her. But when her mom gets arrested, and shortly after, her stepdad too, Vanessa is left alone. She’s about to be taken in by Child Protective Services when she gets an idea: she’ll go live with her grandmother instead. So, stepping out on her social worker, she heads down the freeway—and that’s where she meets Bob Wolverton (Kiefer Sutherland), who exudes an impressive menace. And, as his last name implies, he’s the wolf in this retelling.

As you can probably imagine, Vanessa and Bob collide in a battle of wills. But Vanessa, a victim of the system, does things no 14-year-old in a healthy environment would ever do. This film is as much about her descent into criminality as it is about the world that made her this way. Because Freeway makes a point: girls like Vanessa don’t just happen. They are created. They are products of an unjust world. We already know what kind of person Vanessa is going to become because the system makes her. When you grow up like that, you’re just trying to survive. And sometimes, the only thing keeping you alive is your will to live. That’s what this film is about.

Now, I have to mention the supporting cast—because they’re amazing. Brooke Shields plays Bob Wolverton’s wife, Mimi, and wow, is she obnoxious. I wanted to slap her a few times. Brittany Murphy has a short but memorable role—she grabbed my attention right away, and honestly, it’s too bad she didn’t get a longer career. RIP, Brittany Murphy. Wolfgang Bodison and Dan Hedaya play the detectives, and they are riveting.

Now, to say this film is offensive is an understatement. It is wildly offensive. If I had known some of the scenes that were coming, I might not have watched it at all. At one point, Vanessa utters the N-word, and I was furious that the scene even made it into the movie. It was inexcusable. There is no situation where a white person should ever say that word, and it came with a hard R. Had I known, I wouldn’t have watched the film.

And yet—I have never seen a movie like this before, and I don’t think a movie like this will ever be made again. I don’t think Reese Witherspoon will ever play a character like this again. It’s kitschy, maybe even trashy. There were moments where I laughed and immediately felt like I was going to hell for laughing—but it was funny. Especially when Vanessa, pointing a gun at someone, drawls in her thick Southern accent (I think it’s Southern, not sure if it’s Texan—my ear for American accents isn’t great):

“Do you accept Jesus into your heart as your personal Lord and Savior?”

Come on. That’s funny.

Do I regret watching this movie? No. Did I laugh? Yes. Did it give me a lot to think about? Absolutely. Is Reese Witherspoon an incredible actress? No doubt.

But the one thing that keeps me from recommending this film is that N-word scene. I just don’t think there’s ever a reason for that word to be said.

All I can say is, I wish more films like Freeway could be made. It’s just too bad about that N-word, though.

https://youtu.be/C5aNEQ-xP48

@movies

I’ve created #Piefed’s first dedicated community to movies!

If you’re on #Mastodon, #Akkoma, or #Sharkey, follow it here:

@movies

And if you’re on #Lemmy, #Mbin, or Piefed follow it here:

!movies@piefed.social

From now on, all my posts about movies, including reviews, will be posted there.

Everyone is welcome and you’re allowed to chat about whatever movie-related things you like. 🎬🍿

@fediversenews @fediverse

@joeo10 The only time I’ve encountered disc rot is with CD-Rs.

Actually, dark patterns do exist on #Mastodon. We don’t recognize them as dark patterns because we’re too politicized to see what’s obvious in plain sight.

But here’s an example of a #darkpattern on Mastodon: harassers being able to send you abusive messages as “followers only”. This renders the message invisible from public view while being visible to everyone who follows the abuser – followers who are likely to have the same toxic affinity as the abuser.

Let’s not pretend this is not a dark pattern. It clearly is.

RE: https://mastodon.social/users/harryprayiv/statuses/114082840668402297

The notion that #Mastodon isn’t making a choice on how to categorize and organize the content being displayed is complete and utter bullshit.

Of course it is.

A reverse chrome timeline is a choice. Mastodon could, of course, choose to display content differently but it chooses not to.

RE: https://gotosocial.social/users/unattributed/statuses/01JN6W3PPXRVVX600D0AGZMZMF

The Fediverse ain’t worth it if people don’t share and talk about art.

News isn’t what makes us human. Politics isn’t what makes us human. Tech certainly isn’t what makes us human.

Art is what makes us all human.