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    Jeff "never puts away anything, especially oven mitts" Cliff, Bringer of Nightmares 🏴‍☠️🦝🐙 🇱🇧🧯 🇨🇦🐧 (jeffcliff@shitposter.world)'s status on Wednesday, 07-May-2025 05:44:18 JSTJeff "never puts away anything, especially oven mitts" Cliff,  Bringer of Nightmares 🏴‍☠️🦝🐙 🇱🇧🧯 🇨🇦🐧Jeff "never puts away anything, especially oven mitts" Cliff, Bringer of Nightmares 🏴‍☠️🦝🐙 🇱🇧🧯 🇨🇦🐧
    https://en.wikipedia.org/wiki/Portland_Vase actually just learning about this period in my #arthistory book, though i haven't gotten to this technique yet. It fits with the greek styles at the time but is clearly an attempt at bringing it into a new medium: glass. Pretty spiffy stuff but not what stained glass wound up being used for like at all.
    In conversationabout 10 days ago from shitposter.worldpermalink

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      Portland Vase
      The Portland Vase is a Roman cameo glass vase, which is dated between AD 1 and AD 25, though low BC dates have some scholarly support. It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards. It was first recorded in Rome in 1600–1601, and since 1810 has been in the British Museum in London. The museum held it on loan from the dukes of Portland until 1945, and bought it from them that year (GR 1945,0927.1). It is normally on display in Room 70. The vase measures about 25 centimetres (9.8 in) high and 18 cm (7.1 in) in diameter. It is made of violet-blue glass, and surrounded with a single continuous white glass cameo making two distinct scenes, depicting seven human figures, plus a large snake, and two bearded and horned heads below the handles, marking the break between the scenes. The bottom of the vase was a cameo glass disc, also in blue and white, showing a head, presumed to be of Paris or Priam based on the Phrygian cap it wears. This roundel clearly does not belong to the vase and has been displayed separately...
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