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@Klaxun but theres a lot of really simplistic stuff thats straightforward in terms of manipulation. My favourite is doing a solo 1v1 piece inside a space where the audience member has to either crawl through a tunnel or climb through a portal like a hole in a wall - and as they're crawling through to stop them mid way before they're able to stand up so they're either still on the ground or straddling the hole or whatever, to catch them in that point where they're still in this playful position of action and to then translate that into a continuing action into the performance world so they dont have time to reorientate themselves, reestablish who they are and put their judging viewer hat back on etc. If i can catch them in that between moment then they're willing to do the immediate thing i have ready for them and then it just becomes a dance of keeping them somewhat unbalanced.