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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://social.sdf.org/users/mjgardner/statuses/111620079560931658">Mark Gardner (mjgardner@social.sdf.org)'s status on Friday, 22-Dec-2023 11:58:31 JST</a><a href="https://social.sdf.org/@mjgardner" title="mjgardner@social.sdf.org"><img src="https://gnusocial.jp/avatar/83251-48-20241122185904.webp" width="48" height="48" alt="Mark Gardner" style="position: absolute; left: 0; top: 0;">Mark Gardner</a><div><a href="https://gnusocial.jp/notice/4910609" rel="in-reply-to">in reply to</a><ul><li><li><a href="https://gnusocial.jp/user/225147" title="gwadej@mas.to">G Wade Johnson</a></li></ul></div></section><article><p><a href="https://libranet.de/profile/clacke">@clacke</a> <a href="https://mas.to/@gwadej">@gwadej</a> As a nerdy white boy in the Philadelphia suburbs, I connected more with <a href="https://social.sdf.org/tags/3rdBass" rel="tag">#3rdBass</a> than, say, <a href="https://social.sdf.org/tags/BeastieBoys" rel="tag">#BeastieBoys</a>’ “Licensed to Ill." The latter’s following sample-heavy “Paul's Boutique” was more my style, though. I'm also a fan of Bomb Squad era <a href="https://social.sdf.org/tags/PublicEnemy" rel="tag">#PublicEnemy</a> from the same period.</p><p>Fun fact: “The Gas Face” helped launch the career of masked British-American rapper <a href="https://social.sdf.org/tags/MFDoom" rel="tag">#MFDoom</a> (then known as “Zev Love X”):<br><a href="https://songwhip.com/mf-doom" rel="nofollow noreferrer">https://songwhip.com/mf-doom</a><br><a href="https://songwhip.com/madvillain" rel="nofollow noreferrer">https://songwhip.com/madvillain</a></p><p><a href="https://social.sdf.org/tags/HipHop" rel="tag">#HipHop</a> <a href="https://social.sdf.org/tags/music" rel="tag">#music</a></p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/2471809#notice-4916968">In conversation</a><time datetime="2023-12-22T11:58:31+09:00" title="Friday, 22-Dec-2023 11:58:31 JST">about a year ago</time> <span>from <span><a href="https://social.sdf.org/@mjgardner/111620079560931658" rel="external" title="Sent from social.sdf.org via ActivityPub">social.sdf.org</a></span></span><a href="https://social.sdf.org/@mjgardner/111620079560931658">permalink</a><h4>Attachments</h4><ol><li><article><header><div>Domain not in remote thumbnail source whitelist: songwhip.com</div><h5><a href="https://songwhip.com/mf-doom">MF DOOM</a></h5><div></div></header><div>Listen to MF DOOM on any music platform - Free smart music links by Songwhip</div><footer></footer></article></li><li><article><header><div>Domain not in remote thumbnail source whitelist: songwhip.com</div><h5><a href="https://songwhip.com/madvillain#HipHop">Madvillain</a></h5><div></div></header><div>Listen to Madvillain on any music platform - Free smart music links by Songwhip</div><footer></footer></article></li></ol></footer></blockquote>

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Mark Gardner (mjgardner@social.sdf.org)'s status on Friday, 22-Dec-2023 11:58:31 JSTMark Gardner
in reply to
- clacke
- G Wade Johnson
@clacke @gwadej As a nerdy white boy in the Philadelphia suburbs, I connected more with #3rdBass than, say, #BeastieBoys’ “Licensed to Ill." The latter’s following sample-heavy “Paul's Boutique” was more my style, though. I'm also a fan of Bomb Squad era #PublicEnemy from the same period.
Fun fact: “The Gas Face” helped launch the career of masked British-American rapper #MFDoom (then known as “Zev Love X”):
https://songwhip.com/mf-doom
https://songwhip.com/madvillain
#HipHop #music
In conversationabout a year ago from social.sdf.orgpermalink
Attachments
1. Domain not in remote thumbnail source whitelist: songwhip.com
  MF DOOM
  Listen to MF DOOM on any music platform - Free smart music links by Songwhip
2. Domain not in remote thumbnail source whitelist: songwhip.com
  Madvillain
  Listen to Madvillain on any music platform - Free smart music links by Songwhip