elle mundy@inthehands @conniptions @mekkaokereke just so i understand what you’re saying, for instance: 24/96 would be useful for mixing and mastering, and then only at the final bounce step would it be wise to bounce to 16/44.1? i would tend to agree, since in the daw, one is constantly fiddling with levels, effects, panning, and even slowing/speeding, operations that would require higher precision than the end listener
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