Embed Notice

HTML Code

<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://mstdn.jp/users/tinouye/statuses/109688322135865470">糖類の上 (tinouye@mstdn.jp)'s status on Sunday, 15-Jan-2023 01:21:06 JST</a><a href="https://mstdn.jp/@tinouye" title="tinouye@mstdn.jp"><img src="https://gnusocial.jp/avatar/34514-48-20221121104855.webp" width="48" height="48" alt="糖類の上" style="position: absolute; left: 0; top: 0;">糖類の上</a></section><article><p>しばらく前からメシアンのインド音楽の導入には、師のトゥルヌミールのインドのラーガ、リズム、複旋法への関心と導入の影響があるはずなのにあまり言及されてるものがないって言ってたけど、2019年のサウスカロライナ大学の博士論文にそれを取り扱った人がいた！<br>うれしい！<br>トゥルヌミールの「12の詩的前奏曲」を一聴すれば、絶対これって「嬰児イエスへの20のまなざし」の先行作ぢゃん！！ってみんな思うよね、、、<br>Mengdi Li: Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis<br><a href="https://scholarcommons.sc.edu/etd/5139/" rel="nofollow noreferrer">https://scholarcommons.sc.edu/etd/5139/</a><br><a href="https://mstdn.jp/tags/%E9%9F%B3%E6%A5%BD" rel="tag">#音楽</a></p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/1042329#notice-2304855">In conversation</a><time datetime="2023-01-15T01:21:06+09:00" title="Sunday, 15-Jan-2023 01:21:06 JST">Sunday, 15-Jan-2023 01:21:06 JST</time> <span>from <span><a href="https://mstdn.jp/@tinouye/109688322135865470" rel="external" title="Sent from mstdn.jp via ActivityPub">mstdn.jp</a></span></span><a href="https://mstdn.jp/@tinouye/109688322135865470">permalink</a><h4>Attachments</h4><ol><li><article><header><div>No result found on File_thumbnail lookup.</div><h5><a href="https://scholarcommons.sc.edu/etd/5139/">Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis</a></h5><div> from <span>Mengdi Li</span></div></header><div>Douze Préludes-Poèmes, Op. 58 is a composition for solo piano by French composer Charles Tournemire (1870-1939). The object of this study is to help musicians have a better understanding of Douze Préludes-Poèmes through a stylistic analysis of the work.
The study provides background and biographical information on Tournemire. It also traces influences from which the composer drew inspiration. Since Tournemire created a unique musical language for the work by combining the Melakarta ragas from Southern India with the French symbolist and impressionist styles, this study identifies each raga used in the set and provides information on structure, harmony, melody, tempo, rhythm, and dynamics of Douze Préludes-Poèmes, Op. 58.</div><footer></footer></article></li></ol></footer></blockquote>

Corresponding Notice

Embed this notice
糖類の上 (tinouye@mstdn.jp)'s status on Sunday, 15-Jan-2023 01:21:06 JST 糖類の上
しばらく前からメシアンのインド音楽の導入には、師のトゥルヌミールのインドのラーガ、リズム、複旋法への関心と導入の影響があるはずなのにあまり言及されてるものがないって言ってたけど、2019年のサウスカロライナ大学の博士論文にそれを取り扱った人がいた！
うれしい！
トゥルヌミールの「12の詩的前奏曲」を一聴すれば、絶対これって「嬰児イエスへの20のまなざし」の先行作ぢゃん！！ってみんな思うよね、、、
Mengdi Li: Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis
https://scholarcommons.sc.edu/etd/5139/
#音楽
In conversationSunday, 15-Jan-2023 01:21:06 JST from mstdn.jppermalink
Attachments
1. No result found on File_thumbnail lookup.
  Douze PréLudes- Poèmes, Op. 58 by Charles Tournemire: A Stylistic Analysis
  from Mengdi Li
  Douze Préludes-Poèmes, Op. 58 is a composition for solo piano by French composer Charles Tournemire (1870-1939). The object of this study is to help musicians have a better understanding of Douze Préludes-Poèmes through a stylistic analysis of the work. The study provides background and biographical information on Tournemire. It also traces influences from which the composer drew inspiration. Since Tournemire created a unique musical language for the work by combining the Melakarta ragas from Southern India with the French symbolist and impressionist styles, this study identifies each raga used in the set and provides information on structure, harmony, melody, tempo, rhythm, and dynamics of Douze Préludes-Poèmes, Op. 58.

Public

Embed Notice

HTML Code

Corresponding Notice