@mmezabet
Wait.. there were cell phones in 'The Love Witch' ? I guess I never noticed that. Love that one. 🖤
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Jack O' Lantern (jacklaridian@social.horrorhub.club)'s status on Thursday, 10-Oct-2024 01:15:33 JST Jack O' Lantern -
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Mme Zabet (mmezabet@craftgoblin.club)'s status on Thursday, 10-Oct-2024 01:15:34 JST Mme Zabet Well, I guess I'm forgetting about the cell phones in The Love Witch. The time period was ambiguous, but strived hard for (and very much achieved) a 1970s vibe.
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Mme Zabet (mmezabet@craftgoblin.club)'s status on Thursday, 10-Oct-2024 01:15:35 JST Mme Zabet Also, like, if you loved the look and feel of The Love Witch but thought the pacing was terrible (i.e., faithful to 1970s movies that were trying too hard to be art), this movie is set modern but has a lot of that same kind of color saturation and much, much better pacing.
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Mme Zabet (mmezabet@craftgoblin.club)'s status on Thursday, 10-Oct-2024 01:15:37 JST Mme Zabet I don't want to say a lot because I don't want to spoil anything since it's pretty new, but it's definitely one of those "oh, the humans are the monsters, I see" kind of movies. It has a lot of really complex POV storytelling that I think was handled really well with visual cues. I liked it!
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Mme Zabet (mmezabet@craftgoblin.club)'s status on Thursday, 10-Oct-2024 01:15:38 JST Mme Zabet I generally don't enjoy movies that are pure psychological horror because largely they are done incredibly poorly. However, last night, we watched IT'S WHAT'S INSIDE on Netflix and it's not exactly psychological horror, but it's also NOT not psychological horror?
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