Yeah so.
In the car on the way home from school, 9yo informs me that she showed a friend my YouTube channel. (95% coding livestreams archived from twitch.)
Evidently he then asked her, "can we watch this one?" 9yo said to me, "but it was 35 minutes and I didn't want to waste my battery on that!"
My thought was, come on kid, you had to know whatever your friend chose was going to be a battery waster. Then I realized: did my 9yo just set me up to zing me???? I think she did.
During the middle to late 1960s, TV writers were already imagining the applications of small drones, most of which would not be possible for another half century or so.
In an episode of "The Man from U.N.C.L.E." a small drone is launched at the U.N.C.L.E. headquarters building in NYC. When their defensive systems detect it slowly approaching, a general alarm goes up, for fear of small but very powerful warheads. They try to laser it down -- but the laser system fails (why it fails is an important aspect of the plot). The drone slams into the HQ roof area harmlessly, and a surprising note is found when the wreckage is inspected. This particular drone scene pretty much could have been real at the time -- it was a small single-prop fixed-wing model plane with a gasoline engine and radio control equipment appropriate for the era.
In an episode of "Mission Impossible", a small drone is navigated -- using a completely reasonable two joystick remote -- through an air conditioning duct to make a crucial delivery. It didn't have a camera, but its position was tracked on a map of the duct system visible to operator Barney. It was actually a bit more like a hovercraft, with four props on the bottom, but a great idea.
"The Green Hornet" had his own drone that would pop out of the back of his "Black Beauty" vehicle and fly into the air. This was used in multiple episodes. It spun like a top and featured a camera that sent an image back to a monitor on his dashboard. After it had provided the aerial view necessary, it returned to the car and popped back into the trunk area.
Pretty clever those writers, eh?
Next up: State legislative races. VIRGINIA already had theirs in November, but they also have SPECIAL ELECTIONS for 2 GOP-held seats coming up in a week or so.
In an exception to my "no long shot" rule, I'm including them here; donate today:
https://secure.actblue.com/donate/vablue23?refcode=gabamasto
Open source is fundamentally about people. It's an important value to me to pay that forward and throw a few dollars when I can to these champions of our industry. I appreciate GitHub sponsorship & Open Collective for making it really easy to do so.
In the corporate world, it's my belief that organizations have a duty as well to harness their vast resources and pay these same maintainers their dues since they benefit the most off that labour.
So, basically this boils down to the Left accepting "difference" and making nice with even reactionary fascists in order to expand beyond it's "bubble" & let in even the most retrograde fundamentalists for the greater goal of "class solidarity".
Sorry, but I don't think so.
In fact, doing this at a time when almost every liberal to socdem political tendency is bent on throwing marginalized people under their buses to jump on the fascist bandwagon, is political suicide for the Left.
@mekkaokereke I'll answer this with my 'music fan' hat on rather than the 'musician' or 'software engineer' hats.
I am lucky enough to have copies of several albums both on vinyl and digital.
Repeated A-B testing reveals that I prefer the vinyl playback every time without exception.
I don't really care if - as Adrian has pointed out - "digital audio is more accurate to its input". Maybe so.
In that case, perhaps accuracy-to-input isn't so important after all. Something else is going on.
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