In this domestic scene, a family of three poses for a photograph against a backdrop featuring an oversized clock. The mother, adorned with a floral crown, while the child playfully touches the fingers of her mother. The father looks on with affection, cradling the toddler in his arms. The setting suggests a comfortable home environment somewhere in Vienna, Austria, with a vintage-style fridge partially visible in the background.

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   Erik L. Midtsveen 🏳️‍⚧️🇳🇴 (midtsveen@social.linux.pizza)'s status on Sunday, 16-Mar-2025 06:46:55 JST Erik L. Midtsveen 🏳️‍⚧️🇳🇴

   in reply to

   Look, I get it. Some folks might think I'm full of shit, making up this whole thread about Zoë Straub. They might not believe anyone could be this into an artist's music or use it for emotional healing like I do.

   But here's the thing, if you really wanna know the truth, just ask my dad's side of the family. They've seen firsthand how much Zoë's music means to me. They know it's not some made-up story or exaggeration.

   My connection to Zoë's songs is real, and it's deep. It's been a huge part of my life for almost a decade now. Sure, it might seem weird or over-the-top to some people, but that doesn't make it any less true.

   So yeah, doubt me if you want, but the people who know me best can vouch for this. Zoë's music has been my lifeline, and that's just how it is.