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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://raggedfeathers.com/users/lilithsaintcrow/statuses/114469174621466385">Lili Saintcrow (lilithsaintcrow@raggedfeathers.com)'s status on Thursday, 08-May-2025 08:52:02 JST</a><a href="https://raggedfeathers.com/@lilithsaintcrow" title="lilithsaintcrow@raggedfeathers.com"><img src="https://gnusocial.jp/avatar/3399-48-20220806001153.webp" width="48" height="48" alt="Lili Saintcrow" style="position: absolute; left: 0; top: 0;">Lili Saintcrow</a></section><article><p>"The use of Orbison’s repertoire in Blue Velvet and Mulholland Drive shows how music can push mainstream Hollywood film beyond its traditional boundaries."<br><a href="https://daily.jstor.org/how-roy-orbisons-repertoire-shaped-david-lynchs-films/" rel="nofollow noreferrer">https://daily.jstor.org/how-roy-orbisons-repertoire-shaped-david-lynchs-films/</a></p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/5020343#notice-9840704">In conversation</a><time datetime="2025-05-08T08:52:02+09:00" title="Thursday, 08-May-2025 08:52:02 JST">about a month ago</time> <span>from <span><a href="https://raggedfeathers.com/@lilithsaintcrow/114469174621466385" rel="external" title="Sent from raggedfeathers.com via ActivityPub">raggedfeathers.com</a></span></span><a href="https://raggedfeathers.com/@lilithsaintcrow/114469174621466385">permalink</a><h4>Attachments</h4><ol><li><article><header><div>Domain not in remote thumbnail source whitelist: daily.jstor.org</div><h5><a href="https://daily.jstor.org/how-roy-orbisons-repertoire-shaped-david-lynchs-films/">How Roy Orbison’s Repertoire Shaped David Lynch’s Films - JSTOR Daily</a></h5><div> from <span>Angelica Frey</span></div></header><div>Drawing on the nostalgic feelings evoked by Orbison's music, Lynch added new layers to the cinematic traditions of film noir.</div><footer></footer></article></li></ol></footer></blockquote>

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Lili Saintcrow (lilithsaintcrow@raggedfeathers.com)'s status on Thursday, 08-May-2025 08:52:02 JST Lili Saintcrow
"The use of Orbison’s repertoire in Blue Velvet and Mulholland Drive shows how music can push mainstream Hollywood film beyond its traditional boundaries."
https://daily.jstor.org/how-roy-orbisons-repertoire-shaped-david-lynchs-films/
In conversationabout a month ago from raggedfeathers.compermalink
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  How Roy Orbison’s Repertoire Shaped David Lynch’s Films - JSTOR Daily
  from Angelica Frey
  Drawing on the nostalgic feelings evoked by Orbison's music, Lynch added new layers to the cinematic traditions of film noir.

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