Yes. Both market economics and policing of artistic hierarchy make us forget that the point isn’t to be the •best• at it; the point is to •do• it.
People don’t always play music to win or to profit or to pass their juries. People play to •play•. That piano rep we quarantine in concert halls nowadays is supposed to be for the home — and primarily for the enjoyment of the player, whether perfecting it or just fumbling through it. (Somebody called the piano “the big-screen TV of the 19th century.”)
Keep playing, @jredlund.