With a title like The End of the World you expect this to be one of the Cure's gloomy goth-pop soundscape songs, but this is actually a crafty little pop song about ending a flawed relationship on amicable terms, that fits in perfectly with early 2000's alt rock standards in a way that nevertheless feels like Smith is trying a little too hard to prove the industry hasn't passed him by. Catchy, bouncy, and fun, the mixed acoustic and electric guitar work is a nice touch.