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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://olia.geocities.institute/users/GIFmodel/statuses/113539609827208277">olia lialina (gifmodel@olia.geocities.institute)'s status on Monday, 25-Nov-2024 05:37:35 JST</a><a href="https://olia.geocities.institute/@GIFmodel" title="gifmodel@olia.geocities.institute"><img src="https://gnusocial.jp/avatar/99195-48-20230217011617.webp" width="48" height="48" alt="olia lialina" style="position: absolute; left: 0; top: 0;">olia lialina</a></section><article><p>Two years ago I gave an interview to be published in  "Digital Art:1960s -- Now" by V&amp;A. Just published <br>It ends with the statement I still stand for.</p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/4063307#notice-7940225">In conversation</a><time datetime="2024-11-25T05:37:35+09:00" title="Monday, 25-Nov-2024 05:37:35 JST">about 5 months ago</time> <span>from <span><a href="https://olia.geocities.institute/@GIFmodel/113539609827208277" rel="external" title="Sent from olia.geocities.institute via ActivityPub">olia.geocities.institute</a></span></span><a href="https://olia.geocities.institute/@GIFmodel/113539609827208277">permalink</a><h4>Attachments</h4><ol><li><label><a rel="external" href="https://gnusocial.jp/attachment/3560588">"NFTs suddenly became the biggest topic in digital art and especially net art. In general, the crypto market has started to take over. Because I don't want to take part in that market, it has made my life as a net artist quite difficult. At the moment I am looking for ways to be a net artist outside of crypto mining and minting. There are moments, I think, when it is healthier for the net artist to go offline."</a></label><br><a href="https://olia.geocities.institute/system/media_attachments/files/113/539/585/280/150/736/original/c6a665147c921f00.jpg" rel="external">https://olia.geocities.institute/system/media_attachments/files/113/539/585/280/150/736/original/c6a665147c921f00.jpg</a></li><li><label><a rel="external" href="https://gnusocial.jp/attachment/3560589">Cover of the book Digital Art: 1960 - Now</a></label><br><a href="https://olia.geocities.institute/system/media_attachments/files/113/539/585/402/331/558/original/941b2cfd6505de6f.jpg" rel="external">https://olia.geocities.institute/system/media_attachments/files/113/539/585/402/331/558/original/941b2cfd6505de6f.jpg</a></li></ol></footer></blockquote>

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olia lialina (gifmodel@olia.geocities.institute)'s status on Monday, 25-Nov-2024 05:37:35 JST olia lialina
Two years ago I gave an interview to be published in "Digital Art:1960s -- Now" by V&A. Just published
It ends with the statement I still stand for.
In conversationabout 5 months ago from olia.geocities.institutepermalink
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1. "NFTs suddenly became the biggest topic in digital art and especially net art. In general, the crypto market has started to take over. Because I don't want to take part in that market, it has made my life as a net artist quite difficult. At the moment I am looking for ways to be a net artist outside of crypto mining and minting. There are moments, I think, when it is healthier for the net artist to go offline."
  https://olia.geocities.institute/system/media_attachments/files/113/539/585/280/150/736/original/c6a665147c921f00.jpg
2. Cover of the book Digital Art: 1960 - Now
  https://olia.geocities.institute/system/media_attachments/files/113/539/585/402/331/558/original/941b2cfd6505de6f.jpg

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