@drewdevault my experience is that getting art types interested about foss is like getting suburbanites to care about ancient laws of hospitality

it feels like guys like david revoy are one in a history of organic life on a given planet

i think one problem is that culturally artists are so used to a perpetual struggle against art theft that they no longer have a concept of not doubling down on proprietary models of valuing their own creative output

foss projects need to commission artists more - to give *foss* exposure