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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://historians.social/users/historleans/statuses/112501787800883806">Rebecca Brückmann (historleans@historians.social)'s status on Monday, 27-May-2024 06:07:45 JST</a><a href="https://historians.social/@historleans" title="historleans@historians.social"><img src="https://gnusocial.jp/avatar/114717-48-20230425141113.webp" width="48" height="48" alt="Rebecca Brückmann" style="position: absolute; left: 0; top: 0;">Rebecca Brückmann</a></section><article><p>Honestly, the performing arts, that bastion of (supposed) liberalism, is one of the most racist social sectors. The experiences of artists and employees of color and the many stories of sabotage against DEI staff and initiatives are... something. (No paywall) <a href="https://wapo.st/3Kencr1" rel="nofollow noreferrer">https://wapo.st/3Kencr1</a></p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/3148216#notice-6230782">In conversation</a><time datetime="2024-05-27T06:07:45+09:00" title="Monday, 27-May-2024 06:07:45 JST">about 6 months ago</time> <span>from <span><a href="https://historians.social/@historleans/112501787800883806" rel="external" title="Sent from historians.social via ActivityPub">historians.social</a></span></span><a href="https://historians.social/@historleans/112501787800883806">permalink</a><h4>Attachments</h4><ol><li><article><header><div>Domain not in remote thumbnail source whitelist: www.washingtonpost.com</div><h5><a href="https://www.washingtonpost.com/entertainment/2024/05/24/josh-jones-kansas-city-symphony/?pwapi_token=eyJ0eXAiOiJKV1QiLCJhbGciOiJIUzI1NiJ9.eyJyZWFzb24iOiJnaWZ0IiwibmJmIjoxNzE2NjA5NjAwLCJpc3MiOiJzdWJzY3JpcHRpb25zIiwiZXhwIjoxNzE3OTkxOTk5LCJpYXQiOjE3MTY2MDk2MDAsImp0aSI6IjdiNmQ1ZjRmLWNmYTktNDE2Ni1hNDQwLTVjZDkyNTI4MThhYyIsInVybCI6Imh0dHBzOi8vd3d3Lndhc2hpbmd0b25wb3N0LmNvbS9lbnRlcnRhaW5tZW50LzIwMjQvMDUvMjQvam9zaC1qb25lcy1rYW5zYXMtY2l0eS1zeW1waG9ueS8ifQ.ibNPTzpihkIuhrRfrts3EgfLjZdEjlUm77gK96vgXLc&amp;itid=gfta">A Black rising star lost his elite orchestra job. He won’t go quietly.</a></h5><div></div></header><div>Josh Jones thought he was unfairly let go from the Kansas City Symphony and went public about a system some think hobbles the careers of promising musicians.</div><footer></footer></article></li></ol></footer></blockquote>

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Rebecca Brückmann (historleans@historians.social)'s status on Monday, 27-May-2024 06:07:45 JST Rebecca Brückmann
Honestly, the performing arts, that bastion of (supposed) liberalism, is one of the most racist social sectors. The experiences of artists and employees of color and the many stories of sabotage against DEI staff and initiatives are... something. (No paywall) https://wapo.st/3Kencr1
In conversationabout 6 months ago from historians.socialpermalink
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1. Domain not in remote thumbnail source whitelist: www.washingtonpost.com
  A Black rising star lost his elite orchestra job. He won’t go quietly.
  Josh Jones thought he was unfairly let go from the Kansas City Symphony and went public about a system some think hobbles the careers of promising musicians.

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