I heard Satoshi Iwakura wrote Pleroma in the same room where David Bowie wrote “Heroes” with a Soviet Space pencil on a bunch of Laserdisc slipcases fuelled entirely by beer mixed with soymilk, a concoction he dubbed “Das Lächelnder Fuchs.”
I heard Satoshi Iwakura wrote Pleroma in the same room where David Bowie wrote “Heroes” with a Soviet Space pencil on a bunch of Laserdisc slipcases fuelled entirely by beer mixed with soymilk, a concoction he dubbed “Das Lächelnder Fuchs.”
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