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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://mastodon.social/users/publicdomainrev/statuses/117172968131776881">The Public Domain Review (publicdomainrev@mastodon.social)'s status on Friday, 28-Aug-2026 23:21:14 JST</a><a href="https://mastodon.social/@publicdomainrev" title="publicdomainrev@mastodon.social"><img src="https://gnusocial.jp/avatar/56169-48-20221207020954.webp" width="48" height="48" alt="The Public Domain Review" style="position: absolute; left: 0; top: 0;">The Public Domain Review</a></section><article><p>The great German polymath Johann Wolfgang von Goethe was born <a href="https://mastodon.social/tags/onthisday" rel="tag">#onthisday</a> in 1749. As well as penning novels, poetry, criticism, and dramas, he also wrote various scientific treatises, including his 1810 book Zur Farbenlehre (Theory of Colours): <a href="https://publicdomainreview.org/essay/black-on-black" rel="nofollow">https://publicdomainreview.org/essay/black-on-black</a> <a href="https://mastodon.social/tags/OTD" rel="tag">#OTD</a></p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/6654005#notice-13097192">In conversation</a><time datetime="2026-08-28T23:21:14+09:00" title="Friday, 28-Aug-2026 23:21:14 JST">about a month ago</time> <span>from <span><a href="https://mastodon.social/@publicdomainrev/117172968131776881" rel="external" title="Sent from mastodon.social via ActivityPub">mastodon.social</a></span></span><a href="https://mastodon.social/@publicdomainrev/117172968131776881">permalink</a><h4>Attachments</h4><ol><li><article><header><div>Domain not in remote thumbnail source whitelist: the-public-domain-review.imgix.net</div><h5><a href="https://publicdomainreview.org/essay/black-on-black">Black on Black</a></h5><div></div></header><div>Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought.</div><footer></footer></article></li><li><label><a rel="external" href="https://gnusocial.jp/attachment/6381980">Untitled attachment</a></label><br><a href="https://files.mastodon.social/media_attachments/files/117/172/968/099/404/557/original/1026e55da9140d15.jpg" rel="external">https://files.mastodon.social/media_attachments/files/117/172/968/099/404/557/original/1026e55da9140d15.jpg</a></li></ol></footer></blockquote>

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The Public Domain Review (publicdomainrev@mastodon.social)'s status on Friday, 28-Aug-2026 23:21:14 JST The Public Domain Review
The great German polymath Johann Wolfgang von Goethe was born #onthisday in 1749. As well as penning novels, poetry, criticism, and dramas, he also wrote various scientific treatises, including his 1810 book Zur Farbenlehre (Theory of Colours): https://publicdomainreview.org/essay/black-on-black #OTD
In conversationabout a month ago from mastodon.socialpermalink
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  Black on Black
  Should we consider black a colour, the absence of colour, or a suspension of vision produced by a deprivation of light? Beginning with Robert Fludd's attempt to picture nothingness, Eugene Thacker reflects* on some of the ways in which blackness has been used and thought about through the history of art and philosophical thought.
2. Untitled attachment
  https://files.mastodon.social/media_attachments/files/117/172/968/099/404/557/original/1026e55da9140d15.jpg