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<blockquote style="position: relative; padding-left: 55px;"><section><a href="https://social.linux.pizza/users/detondev/statuses/116014055315705328">𝗘𝗻𝗮ʳ𝑔𝑒𝑖𝑎 (detondev@social.linux.pizza)'s status on Monday, 09-Feb-2026 13:47:32 JST</a><a href="https://social.linux.pizza/@detondev" title="detondev@social.linux.pizza"><img src="https://gnusocial.jp/avatar/27468-48-20260531090654.webp" width="48" height="48" alt="𝗘𝗻𝗮ʳ𝑔𝑒𝑖𝑎" style="position: absolute; left: 0; top: 0;">𝗘𝗻𝗮ʳ𝑔𝑒𝑖𝑎</a><div><a href="https://social.linux.pizza/@detondev/116005937456433539" rel="in-reply-to">in reply to</a></div></section><article><p>"Portal" by Do Ho Suh</p></article><footer><a rel="bookmark" href="https://gnusocial.jp/conversation/5407146#notice-12087306">In conversation</a><time datetime="2026-02-09T13:47:32+09:00" title="Monday, 09-Feb-2026 13:47:32 JST">about 4 months ago</time> <span>from <span><a href="https://social.linux.pizza/@detondev/116014055315705328" rel="external" title="Sent from social.linux.pizza via ActivityPub">social.linux.pizza</a></span></span><a href="https://social.linux.pizza/@detondev/116014055315705328">permalink</a><h4>Attachments</h4><ol><li><label><a rel="external" href="https://gnusocial.jp/attachment/5774816">In 2006, London-based Korean artist Do Ho Suh (born 1962) began work on a seemingly impossible project―to “make something out of nothing,” casting the negative form of a traditional Korean gate in solid acrylic resin. Portal would take nearly a decade to complete, and would provide the site for fundamental developments in Suh’s thinking on the role of both artist and museum in the 21st century, as well as the relationship between East and West.
This volume tells the epic story of that process through those who made it possible. Through color illustrations and texts, it provides unique access to the typically veiled fabrication process: the process of scanning, modelling and constructing a nine-ton sculpture that would appear as if it was not there, a “living ghost image” cast from negative space.</a></label><br><a href="https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/261/978/670/original/e6deaa1476f6c0dd.jpg" rel="external">https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/261/978/670/original/e6deaa1476f6c0dd.jpg</a></li><li><label><a rel="external" href="https://gnusocial.jp/attachment/5774817">fractured crystalline</a></label><br><a href="https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/275/925/870/original/ad558108390a300c.jpg" rel="external">https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/275/925/870/original/ad558108390a300c.jpg</a></li></ol></footer></blockquote>

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𝗘𝗻𝗮ʳ𝑔𝑒𝑖𝑎 (detondev@social.linux.pizza)'s status on Monday, 09-Feb-2026 13:47:32 JST 𝗘𝗻𝗮ʳ𝑔𝑒𝑖𝑎
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"Portal" by Do Ho Suh
In conversationabout 4 months ago from social.linux.pizzapermalink
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1. In 2006, London-based Korean artist Do Ho Suh (born 1962) began work on a seemingly impossible project―to “make something out of nothing,” casting the negative form of a traditional Korean gate in solid acrylic resin. Portal would take nearly a decade to complete, and would provide the site for fundamental developments in Suh’s thinking on the role of both artist and museum in the 21st century, as well as the relationship between East and West. This volume tells the epic story of that process through those who made it possible. Through color illustrations and texts, it provides unique access to the typically veiled fabrication process: the process of scanning, modelling and constructing a nine-ton sculpture that would appear as if it was not there, a “living ghost image” cast from negative space.
  https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/261/978/670/original/e6deaa1476f6c0dd.jpg
2. fractured crystalline
  https://cdn.social.linux.pizza/system/media_attachments/files/116/014/053/275/925/870/original/ad558108390a300c.jpg

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