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  1. Embed this notice
    jackcole (jackcole@mstdn.social)'s status on Wednesday, 29-Oct-2025 04:36:43 JST jackcole jackcole
    in reply to

    Part of what makes me think 'bubble' is the mismatch between the growth projections and the tech itself. Current LLMs are akin to 1880s DC current grids, grossly inefficient with poor scaling, and for both issues nothing on the horizon but marginal improvements. They're a predecessor tech at best.

    Max Kennerly
    @maxkennerly.bsky.social

    #AI #Economy

    In conversation about 7 months ago from mstdn.social permalink
    • Embed this notice
      jackcole (jackcole@mstdn.social)'s status on Wednesday, 29-Oct-2025 04:36:44 JST jackcole jackcole

      #OpenAI #SamAltman

      I'm forever blowing bubbles,
      Pretty bubbles in the air.
      They fly so high,
      Nearly reach the sky,
      Then like my dreams,
      They fade and die.
      Fortune's always hiding,
      I've looked everywhere,
      I'm forever blowing bubbles,
      Pretty bubbles in the air.

      https://en.wikipedia.org/wiki/I%27m_Forever_Blowing_Bubbles

      #Bubbles #Economy

      In conversation about 7 months ago permalink

      Attachments

      1. Domain not in remote thumbnail source whitelist: upload.wikimedia.org
        I'm Forever Blowing Bubbles
        "I'm Forever Blowing Bubbles" is a popular American song written in 1918, released in late 1919, becoming a number one hit for Ben Selvin's Novelty Orchestra. It has been revived and adapted over the years, serving as the anthem of Premier League club West Ham United. Origins The music was composed by John Kellette in 1918. The lyrics are credited to "Jaan Kenbrovin"—actually a collective pseudonym for the writers James Kendis, James Brockman and Nat Vincent, combining the first three letters of each lyricist's last name. The number debuted in the Broadway musical, The Passing Show of 1918, and it was introduced by Helen Carrington. The copyright to "I'm Forever Blowing Bubbles" was registered in 1919 by the Kendis-Brockman Music Co. Inc. It was transferred later that year to Jerome H. Remick & Co. of New York and Detroit. James Kendis, James Brockman, and Nat Vincent all had separate contracts with their own publishers, leading them to use the name Jaan Kenbrovin for credit on this song. James Kendis and James Brockman were partners in the Kendis-Brockman Music Company. Reception...
      HistoPol (#HP) 🏴 🇺🇸 🏴 repeated this.

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