I didn't make this, this is Nick the Lot's unreleased dubs and he's one of my favorite artists in the scene right now next to Simula and Formula. Enjoy! NICK THE LOT - 100_ UNRELEASED DUBS MIX 3.mp3
> someone captured this one very well or there is a secret WAV release code in each LP.
It always seemed stupid to me to do vinyl release only for something that was created digitally. Like, the point of vinyl is that an analog recording of analog sounds is lossless, but you're not missing anything if the sound was created inside the computer to begin with.
that track is from 'calling the hardcore vol 3' they're fags that only release physical but someone captured this one very well or there is a secret WAV release code in each LP. took me forever to track down because I loved this track from their facebook (??!!!!?) post
I could write more but I'd just be yet another old man shaking his fist at a cloud, where the cloud has the name on the side of something that he likes. I've been on both sides of the coin and now I realize how it feels. :jokerlol:
@charlie_root@3T@iska@p@nishi@agentcasey WHAT THE FUCK DO YOU MEAN THIS IS KETCHUP? IT DOESN'T HAVE ELDERFLOWER VINEGAR, IT DOESN'T EVEN HAVE ANY ANCHOVIES OR HORSERADISH!
styles change and I'm just stuck in my hayday and one day, you will be too.
My specialty is and will be merging the new style with old style and that's what I sonically explore with my music. Don't worry, I'm still morning the death of 2017-2022 rollers but a nu-wave has been killing it on all sub genres, Jump-Up has just risen up as a worthy contender to Dubstep and Riddim thats all that is but the junglist, and rollers artists are still killing it. One of my fav rollers artist is Dreadnaught.
I think I've said it before but the jump-up dnb stuff remind me a lot of the late stages of where dubstep went with the "transformers fucking" type of sound. Early dubstep was closer to dub, quite slow but still new sounding.
My progression was probably old jungalist, very basic tracks that had a dancehall sound with Barrington Levy, Capelton etc, to people taking it from the UK MCs to Jamaican dancehall MCs directly, lots of John Holt samples. Then I started preferring producers that had more interesting, changing and complicated drum patterns and fell into breakcore as an extension of that.
Hardcore was around at the time but I never paid much attention, but I should have! It's still around today and belongs somewhere in the dnb continuum family tree.
@charlie_root@3T@iska@p@nishi@agentcasey yeah, i'm not trying to hate for the sake of it, and I do like the mixes you've put out that I've taken the time to listen to. my tastes were just informed and created at a point in my life and it's hard to see such (imo) wild evolution in the genre as maintaining much of the original sound. i'm not going to gatekeep or say it isn't good, just that I can't enjoy it yet.
We are all tripping out on these crazy Serum sounds, but yeah I get it, that's why do jump up mostly but include jungle and rollers too in my sets, it's tough, the new sound is just that, but its new. Has loads of room for improvement, but instead of hating it I want to take it and make it better. You liked my demos so I know thats a cool sound that co-exist with this one. I'm also with Burt Cope about adding to new style garage to the mix too 😉