Cue the Radiohead: “The only truth that I can see / Spectre has come for me”
From @BleepingComputer:
https://infosec.exchange/@BleepingComputer/111301074834581140
Cue the Radiohead: “The only truth that I can see / Spectre has come for me”
From @BleepingComputer:
https://infosec.exchange/@BleepingComputer/111301074834581140
For those who don’t know the song, it’s gorgeous:
https://www.youtube.com/watch?v=CLiDemXYSLc
>researchers created a new speculative side-channel attack they named iLeakage that works on all recent Apple devices and can extract sensitive information from the Safari web browser.
umm, are you telling me I shouldn't be doing sensitive searches via Safari on my iPhone? I don't understand.
@luca_lichen @BleepingComputer
This is pretty far outside the realm of individual user mitigation. It’s more like “software is still never perfectly secure, here’s a new way to attack a web browser, Apple is already mitigating it as best they can, and there’s not much you can do except avoiding suspicious links as always.”
gorgeous is the right word. <3
I had just recently thought I overcame my addiction to listening to them, and then you send this link.
@luca_lichen
Ha, sorry not sorry! I also recommend the single Ill Wind of that era, which is very fine and often overlooked.
why?
@luca_lichen
This is the question we musicians are asking ourselves all the time
nooo!! dammit.
wow this is amazing and I don't even have a sound system
@sidereal @luca_lichen
Yeah, it’s just meticulously produced. Still, my brilliant friend Greg Reierson (Rare Form Mastering) might push back on that a bit. He has a list of what really makes a recording •work•, and it’s something like: performance, composition / songwriting, instrument, recording, mixing, and then the mastering, •in that order•. He’s pretty humble about where his own craft sits in importance.
@luca_lichen @inthehands TL;DR Good audio recording/production means the artistic intent is kept intact on as many different types of speakers as possible.
@sidereal @luca_lichen
I think of some Pablo Casals recordings that were transferred off of old media where the production is so old / bad it doesn’t quite even sound like a cello — the sound is •terrible• — and it’s still moving, transfixing, transcendent. There’s some ineffable magic to music that really works, and production alone can’t create it; it can only preserve it.
I haven’t tracked Albini himself well enough to have an opinion, though I’ve certainly appreciated music he’s been a part of producing!
I understand <3
but where this YouTube audio is going now, really makes me wish I had a sound system. or something better than a half-broken laptop.
are you a Steve Albini fan?
no, don't tell me- I can't take it.
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