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Image of four book covers laid out at slight angles to each other and overlapping (left to right): Not To Put Too Fine a Point on It. (brown background); London Kerning, yellow type on blue background, field of yellow at bottom (shows hand holding type case for Monotype composition caster); Six Centuries of Type & Printing, green cover (image of common, Ben Franklin style press in woodcut style); and How Comics Were Made (images of comics, print artifacts, and one cartoonist on yellow background)

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Image of four book covers laid out at slight angles to each other and overlapping (left to right): Not To Put Too Fine a Point on It. (brown background); London Kerning, yellow type on blue background, field of yellow at bottom (shows hand holding type case for Monotype composition caster); Six Centuries of Type & Printing, green cover (image of common, Ben Franklin style press in woodcut style); and How Comics Were Made (images of comics, print artifacts, and one cartoonist on yellow background)
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Glenn Fleishman (glennf@zeppelin.flights)'s status on Monday, 17-Feb-2025 08:21:28 JST Glenn Fleishman

I’ve written four books in the last few years that (I think) are entertaining and in-depth looks at type and printing history crossed with themes like language, preservation, and newspaper comics. I now have a GLENN EBOOK SUPER-PACK: $35 for all 4 ($50 separately)! https://glog.glennf.com/general-shop/glenn-ebook-super-pack-on-type-printing

In conversation about 3 months ago from zeppelin.flights permalink