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A multiton bank vault door set in a red room. Within the vault, we see a 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies. In front of the fault is a ghoulish, skull-faced figure in a tailcoat and a red sash, holding a tube that is vomiting out a poorly differentiated stream of rubbish and slop.

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A multiton bank vault door set in a red room. Within the vault, we see a 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies. In front of the fault is a ghoulish, skull-faced figure in a tailcoat and a red sash, holding a tube that is vomiting out a poorly differentiated stream of rubbish and slop.
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Cory Doctorow (pluralistic@mamot.fr)'s status on Wednesday, 15-Jan-2025 04:25:33 JST Cory Doctorow

During the Napster wars, the record labels *seriously* pissed off millions of internet users when they sued over 19,000 music fans, mostly kids, but also grannies, old people, and dead people.
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2025/01/14/contesting-popularity/#everybody-samba
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In conversation about a year ago from mamot.fr permalink