While I don’t think this essay quite finds a solution, the problem it identifies is real. “What bit of the division of labor will *you* symbolically reject to create your special identity?” is the personal version of social theories that fantasize about rejecting the division of labor while somehow keeping all of its benefits.
In a few weeks I’ll be giving one of this year’s Ihaka Lectures. This is a big honor for me, I have to say, as I’ve has benefitted so much from R and learned so much from its community of developers and users over the years. This year’s other lecturers are @nrennie and @robjhyndman.
“These daily usage limits on image generation may seem harsh, but you should remember two things. First, Image Playgrounds relies on powerful server models which cost a lot of money to run. Second, if you begin regularly using Image Playgrounds in the way we showed in the demo, these limits will also be the main thing standing between you and all your friends starting a group chat you're not a member of.”
@RecDiffs@hotdogsladies you are of course welcome to save it for prison, but I am obliged to mention the RTÉ version of Ulysses. Recorded in 1982 for the centenary of Joyce’s birth, it’s an unabridged, full-cast recording of the book with many subtle sound design elements. It’s amazing. It brings out the auditory and musical elements of the book and it makes a lot of the techniques—like stream of consciousness—immediately accessible. You can get it as a podcast. https://www.rte.ie/radio/podcasts/series/32198-ulysses/
That thing where you’re restarting your Mac for a software update or whatnot and, as the updater quits all your running applications one by one, a small collection of crash reports, What’s New announcements, and other assorted things reveals itself to have been living for god knows how long underneath all the other windows, like insects in a pile of wood chips.
Where TV shows shoot on location in Manhattan vs where movies shoot on location. Strictly speaking this is where their trailers and trucks and vans *park* during shoots, but still. Based on ~7,300 TV permits and ~2400 film permits over the past three years.