I distilled Sam Altman's recent "The Intelligence Age" essay down to its barest more-obsessed essence with a bit of redaction poetry. Read the whole thing here:
https://bengrosser.com/files/The-Intelligence-Age-Altman-Redacted-by-Grosser.pdf
I distilled Sam Altman's recent "The Intelligence Age" essay down to its barest more-obsessed essence with a bit of redaction poetry. Read the whole thing here:
https://bengrosser.com/files/The-Intelligence-Age-Altman-Redacted-by-Grosser.pdf
a warning label on big social platforms is appropriate of course. but it won’t solve the root of the problem, which is that Meta and the rest use their obsessions with growth and endless profit as an interface design guide for induced engagement. until we decouple online sociality from the profit motive, we’ll need a lot more than warning labels.
OpenAI duping Scarlet Johansson’s Samantha voice from Her is not only telling about Sam Altman’s unethical business practices and his dismissal of consent, but also confirms the company’s intentions to use any means necessary (e.g., a voice already coded as AI girlfriend) to pump engagement to infinity.
my recent talk about the endless engagement aesthetics of AI platforms like chatgpt https://youtu.be/4AOYm72N0YE?si=1dtS8v7zhfEmszqU
@clacke thank you!
Simplified for you --> Marc Andreessen's Techno-Optimist Manifesto as redaction poetry. See the whole work here: https://bengrosser.com/files/Techno-Optimist-Manifesto-Andreessen-redacted-by-Grosser.pdf
Artist, focused on the cultural effects of software. Creator of Demetricator, Endless Doomscroller, ORDER OF MAGNITUDE, https://minus.social. Fellow w/ @bkc, Prof at UIUC.
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