#Ilford/Harman have sent out a "#FilmPhotography Survey" to anyone subscribed to their newsletter.
In it, there's a section about internet use, social media, etc.
I highly recommend everyone who fills this in mentions Mastodon - bring Ilford over here and show them they don't need to stay on Musk's hellscape any more.
@Gargron Those things are giant tanks; I can't say I'm surprised. I used a Pentacon Six TL for a while and that had the same "problem". A lot of big moving parts on those MF SLRs!
Semi-related: although Leitz designed this for making photocopies, they genuinely suggested using it hand-held as a close-focus setup. I found this example in one of their pamphlets; I tried to replicated it with my cat and she was horrified.
@Gargron I never want to be That Guy and point it out myself, but it makes such a huge difference to the finished product. I guess maybe pointing it out *is* the kinder thing to do? I mean, I’ve seen your work lately and a lot of it is beautiful. We can’t learn if no one speaks up.
Someone on RFF mentioned he was seeing a lot of film photographers posting black and white images straight from the scanner with no adjustment - meaning there were no real blacks to speak of, and everything was a mix of flat grey and white.
Now I can't unsee it and it's everywhere, so I'm writing this in the hope I can infect someone else.
Not going to lie: leaning out of the window of a moving steam train, desperately clutching a Leica so I don't drop it, and hoping I've got the zone-focusing and exposure right to make this shot work was a whole lot of fun.
(#Leica Ic, Zeiss Sonnar 50/1.5, Rollei Retro 400S in LC29)