More looning around this morning. This time I'm trying to build a crude model around the "cry" of the loon. (Recording: reference, synthesized (wet), synthesized (dry)) The pitch curve of the cry is both jumping and rising. The jumps (which sound like voice cracks) remind me of yodeling. Since my loon call yesterday, I've added a bit more grit to the sine oscillator spectrum. I've also added a bit of ambience noise using filtered white noise and sparse noise for pops.
"Because of concurrent programming errors (also known as race conditions), it sometimes gave its patients radiation doses that were hundreds of times greater than normal, resulting in death or serious injury."
Saw Oppenheimer last night. Opp was great as to be expected. Heimer ended up only making a brief cameo, which was disappointing. I guess they don't get along like they used to.
Sound artist exploring the human voice, simulacrum, and mechanisms for lyricism.These are some of my favorite things: vocal synthesis, generative music, Palestrina, audio DSP, baking, croissants, tea, dogs, grids, retrogaming, computer graphics, powers of 2, 1-bit art/sound.Over the years, I've developed several audio engines and music software ecosystems, and like to talk about them here. I also have a quieter account where I mainly talk about vocal synthesis: @patchlore