The usual versions of "Fratres" stem from Arvo Pärt's 1980 transciption for violin and piano of this orginal version from 1977 which is performed by the Estonian ensemble Hortus Musicus. The differences in tension and colour are impressive, the repetition of the theme makes far more sense when played by various sets of instruments.
@simsa03 I meant to tell you; On the way home from school, I heard Arvo Part's Summa played on the local classical station, WUOL. The morning guy makes interesting selections. Matt Rogers. The Summa was rendered by the Attaca Quartet.
This is adramatic rendition of the piece. Meyers's phrasing is forceful, in parts almost violent. But she is cable to carry through with her spotless play. Eguchi's piano play is even mor interesting as it lends a wide basis to Meyers's play. His phrasing is warm and gentle. Interesting to listen to the differences of both.
To me the best rendition of "Fratres" so far. Meyers's phrasing is more gentle than in the previous one, and the "arc of suspense" is kept steadily due to the great play of the various voices of the violin. The ground swell provided by the Tallinn Chamber Orchestra gives a steady flow that intermingles precisely with the various violin voices.