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gidi (gidi@friendica.gidikroon.eu)'s status on Monday, 08-Apr-2024 03:02:32 JST gidi Saw Miller's Girl again in the cinema (who knows when I'll see it again) and again of course impressed by Jenna Ortega. Wrote about it with major spoilers in the next post (copied from letterboxd).
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gidi (gidi@friendica.gidikroon.eu)'s status on Monday, 08-Apr-2024 03:09:51 JST gidi Miller's Girl (2024)
Watched it again and liked it so much. It's an acting masterclass by Jenna Ortega. That dialog between Cairo and Jonathan, you'll know which one, is so powerful.
**MAJOR SPOILERS BELOW**
Here's my take on Cairo: she's an 18 year old girl who by her own words seems uninterested in sex, or at least not to know yet whether she wants it. The film sets her up as asexual. The extremely steamy story she writes has sex only as a literary device. The steamy scene she has with her lesbian friend is only to distract her and she stops as the photo is taken and sent, beyond the photo she had no interest in it.
In films like this, 'the girl' is often portrayed as driven by her hormones. Even in this film it is said that 'teenage girls are dangerous'. But not Cairo, she is purely intellectual.
She's an extremely gifted writer, much more than her teacher, but initially she thinks she has finally found someone who is her equal, a way out of her intellectual loneliness. But when he fails to live up to her drive to move boundaries, she considers him mediocre, not even worthy to be treated as a person and she consciously destroys his life.
She's not a nice person. She treats both Jonathan and Winnie as subhuman.
Here's my take on Jonathan: I think he is indeed mediocre as both Cairo and his own wife say. He stopped writing when he got some bad reviews and he shies away from the literary gauntlet Cairo throws down. He's a coward who thought he was more.
I think he actually is sexually interested in this beautiful young woman who flatters him and who he can admire, like normally in 'these kind of films'. He is not the standard victim however, since it is shown that he and his colleague already blur lines, watch nude pictures of students, etc. With Cairo he had to opportunity to draw lines and should have (their classroom talk already went too far, but visiting the poetry reading together was well wrong, not to speak of the kissing, visiting her house when he knew she was alone, etc.). Also, he should have left his wife ages ago since she clearly looks down on him, but that is yet another thing he doesn't dare to do.
Here's my take on whether they did or didn't do it: the film is nicely ambiguous about that. The sex scene we see is part of the story Cairo wrote, not necessarily true. He denies anything happened, but we saw them kiss, so that is a lie already. She denied to her friend that they slept together, so probably they didn't. 'Write what you know' is said, suggesting they did. But Cairo refers to it as 'this fantasy' instead of 'this thing we did', so maybe they didn't.
I think they truly bonded after the poetry night, where they both fell in love with each other. Maybe more happened, maybe it happened the next time they were together at her house. But I'm guessing, with 51%/49% odds, that it didn't go beyond the kiss.
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